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When a scene is being shot, it is very difficult to know what one wants it to say, and even if one does know, there is always a difference between what one has in mind and the result on film.
Michelangelo Antonioni
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Michelangelo Antonioni
Age: 94 †
Born: 1912
Born: September 29
Died: 2007
Died: July 30
Film Director
Film Editor
Film Producer
Painter
Poet
Screenwriter
Writer
An-tung-ni-ao-ni
Results
Difficult
Shot
Film
Shots
Doe
Result
Even
Scene
Mind
Difference
Always
Wants
Differences
More quotes by Michelangelo Antonioni
A film that can be described in words is not really a film.
Michelangelo Antonioni
The photographer in Blow-Up, who is not a philosopher, wants to see things closer up. But it so happens that, by enlarging too far, the object itself decomposes and disappears. Hence there's a moment in which we grasp reality, but then the moment passes. This was in part the meaning of Blow-Up.
Michelangelo Antonioni
I read somewhere that happiness is like the bluebird of Maeterlinck: Try to catch it and it loses its color. It's like trying to hold water in your hands. The more you squeeze it, the more the water runs away.
Michelangelo Antonioni
I want an actor to try to give me what I ask in the best and most exact way possible. He mustn't try to find out more, because then there's the danger that he'll become his own director.
Michelangelo Antonioni
I don't want what I am saying to sound like a prophecy or anything like an analysis of modern society .... these are only feelings I have, and I am the least speculative man on earth.
Michelangelo Antonioni
Actors are always a little high at work. Acting is their drug. So when you put the brakes on, they're naturally a little disappointed.
Michelangelo Antonioni
I've never had a method of working. I change according to circumstances I don't employ any particular technique or style. I make films instinctively, more with my belly than with my brain.
Michelangelo Antonioni
A woman's sex appeal is an inner matter. It stems from her mental make-up, basically. It's an attitude, not just a question of her physical features - that arrogant quality in a woman's femininity. Otherwise, all beautiful women would have sex appeal, which is not so.
Michelangelo Antonioni
I believe in the autobiographical concept only to the degree that I am able to put onto film all that's passing through my head at the moment of shooting.
Michelangelo Antonioni
Neorealism taught us to follow the characters with the camera, allowing each shot its own real interior time. Well, I became tired of all this I could no longer stand real time. In order to function, a shot must show only what is useful.
Michelangelo Antonioni
I am neither a sociologist nor a politician. All I can do is imagine for myself what the future will be like.
Michelangelo Antonioni
My work is like digging, it's archaeological research among the arid materials of our times. That's how I understand my first films, and that's what I'm still doing...
Michelangelo Antonioni
In Blow-up I used my head instinctively!
Michelangelo Antonioni
The family today counts for less and less. Why? Who knows - the growth of science, the Cold War, the atomic bomb, the world war we've made, the new philosophies we've created certainly something is happening to man, so why go against it, why oblige this new man to live by the mechanisms and regulations of the past?
Michelangelo Antonioni
One of the problems of the future world will be the use of leisure time. How will it be filled up? Maybe drugs will be distributed free of charge by the government.
Michelangelo Antonioni
I meant exactly what I said: that we are saddled with a culture that hasn't advanced as far as science.
Michelangelo Antonioni
You can't go to an LSD or pot party unless you take it yourself. If I want to go, I must take drugs myself.
Michelangelo Antonioni
Before each new setup, I chase everyone off the set in order to be alone and look through the camera. In that moment, the film seems quite easy. But then the others come in and everything becomes difficult.
Michelangelo Antonioni
I can't give any absolute definition of what love is, or even whether it ought to exist.
Michelangelo Antonioni
The greatest danger for those working in the cinema is the extraordinary possibility it offers for lying.
Michelangelo Antonioni
