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A man who renounces something is also a man who believes in something.

Michelangelo Antonioni

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Michelangelo Antonioni
Age: 94 †
Born: 1912
Born: September 29
Died: 2007
Died: July 30
Film Director
Film Editor
Film Producer
Painter
Poet
Screenwriter
Writer
An-tung-ni-ao-ni
Renounces
Renounce
Believes
Also
Something
Believe
Men

More quotes by Michelangelo Antonioni

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A director is a man, therefore he has ideas he is also an artist, therefore he has imagination. Whether they are good or bad, it seems to me that I have an abundance of stories to tell. And the things I see, the things that happen to me, continually renew the supply.
Michelangelo Antonioni
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I want an actor to try to give me what I ask in the best and most exact way possible. He mustn't try to find out more, because then there's the danger that he'll become his own director.
Michelangelo Antonioni
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In Blow-up I used my head instinctively!
Michelangelo Antonioni
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I want my characters to suggest the background in themselves, even when it is not visible. I want them to be so powerfully realized that we cannot imagine them apart from their physical and social context even when we see them in empty space.
Michelangelo Antonioni
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The family today counts for less and less. Why? Who knows - the growth of science, the Cold War, the atomic bomb, the world war we've made, the new philosophies we've created certainly something is happening to man, so why go against it, why oblige this new man to live by the mechanisms and regulations of the past?
Michelangelo Antonioni
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I read somewhere that happiness is like the bluebird of Maeterlinck: Try to catch it and it loses its color. It's like trying to hold water in your hands. The more you squeeze it, the more the water runs away.
Michelangelo Antonioni
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Violence is not the only means of persuasion.
Michelangelo Antonioni
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That love is a conflict seems to me obvious and natural. There isn't a single worthwhile work in world literature based on love that is only about the conquest of happiness, the effort to arrive at what we call love. It's the struggle that has always interested those who produce works of art - literature, cinema or poetry.
Michelangelo Antonioni
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The script is simply a series of notes for the film.
Michelangelo Antonioni
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Reality has a quality of freedom about it that is hard to explain.
Michelangelo Antonioni
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The greatest danger for those working in the cinema is the extraordinary possibility it offers for lying.
Michelangelo Antonioni
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The struggle for life is not only the material and economic one. Comfort is no protection from anxiety.
Michelangelo Antonioni
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All I know is that we are loaded down with old and stale stuff - habits, customs, old attitudes already dead and gone.
Michelangelo Antonioni
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I'm not rich and maybe I'll never be rich. Money is useful - yes - but I don't worship it.
Michelangelo Antonioni
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Before each new setup, I chase everyone off the set in order to be alone and look through the camera. In that moment, the film seems quite easy. But then the others come in and everything becomes difficult.
Michelangelo Antonioni
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The photographer in Blow-Up, who is not a philosopher, wants to see things closer up. But it so happens that, by enlarging too far, the object itself decomposes and disappears. Hence there's a moment in which we grasp reality, but then the moment passes. This was in part the meaning of Blow-Up.
Michelangelo Antonioni
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My work is like digging, it's archaeological research among the arid materials of our times. That's how I understand my first films, and that's what I'm still doing...
Michelangelo Antonioni
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In any case, the idea of giving all of reality is overly simple and absurd.
Michelangelo Antonioni
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I've always dreamed of getting to know the women of other countries better. When I was a boy, I remember, I used to get angry at the thought that I did not know German or American or Swedish women.
Michelangelo Antonioni
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We know that behind every image revealed there is another image more faithful to reality, and in the back of that image there is another, and yet another behind the last one, and so on, up to the true image of that absolute, mysterious reality that no one will ever see.
Michelangelo Antonioni