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I think being a foreigner and talking about Hollywood allowed me to use some cliches and some references that an American would maybe not use.
Michel Hazanavicius
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Michel Hazanavicius
Age: 57
Born: 1967
Born: March 29
Actor
Film Director
Film Editor
Film Producer
Screenwriter
Paris
France
Michel Hazanavičius
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More quotes by Michel Hazanavicius
It's not my job. The Weinstein company, it's their job to convince people. My job was to make the movie. That's what I did. I know what we did in France was to have the maximum screenings just to let people talk about the movie and say they enjoyed the movie.
Michel Hazanavicius
Bernard Herrmann was a genius, a great, great composer.
Michel Hazanavicius
This is the problem with language, and this is what makes silent movies fun, because the connection with them, me or the audience is not with the language. There's no question of interpretation of what we are saying it's just about feeling. You create your own story
Michel Hazanavicius
I want to thank three person: I want to thank Billy Wilder. I want to thank Billy Wilder. And I want to thank Billy Wilder.
Michel Hazanavicius
I'm very happy in France making movies.
Michel Hazanavicius
The Germans were much more graphical. The expressionism is much more than cinema. It was a movement with artists, painters, music and architecture, so it's really graphic and visual. And the French were something else.
Michel Hazanavicius
I guess George Clooney would be a wonderful silent actor, and Leonardo DiCaprio is such a wonderful actor he certainly could do it.
Michel Hazanavicius
When you're with your wife, you don't say I love you to your wife every day but the ways you look at her and your actions are another way to communicate. Don't focus on dialogue, only focus on what you're expressing.
Michel Hazanavicius
I think Hollywood is cleverer than you think. I'm not sure they will do it. I don't think so, but maybe I'm wrong. When we were doing the preparation of the movie, we didn't have all the money so we were looking for all the solutions possible, and 3D was one option.
Michel Hazanavicius
I think there's something in common with the OSS 117 movies. The big difference is there's no irony in this one. It's not parody. I tried to make it very simple. It's a simple story, but to be simple, it's very complex in the way it's done.
Michel Hazanavicius
Sure, I watched a lot of Hollywood movies. Maybe I've seen more Hollywood movies than French movies
Michel Hazanavicius
I guess all the directors in France are influenced by Hitchcock, because he's the perfect visual director, in my eyes.
Michel Hazanavicius
Actually, I met a lot of directors and most of them have that fantasy to make a silent movie because for directors it's the purest way to tell a story. It's about creating images that tell a story and you don't need dialogue for that.
Michel Hazanavicius
I watched a lot of silent directors who were absolutely great like John Ford and Fritz Lang, Tod Browning, and also some very modern directors like The Coen Brothers. The directors take the freedom within their own movies to be melodramatic or funny when they chose to be. They do whatever they want and they don't care about the genre.
Michel Hazanavicius
An idea is something you work on to make it work and a desire is much deeper in a way.
Michel Hazanavicius
Sometimes I think you have to try to do things that people don't think are doable. I remember at the very beginning actually, the first person I had to convince was myself really because there's a self-censorship. When everybody says 'we don't do silent movies anymore,' you agree with everybody, and you say 'yeah, you're right.' It was a fantasy.
Michel Hazanavicius
I love silent cinema but don't hold it sacred. Like any branch of film there are some very boring films alongside the masterpieces.
Michel Hazanavicius
I looked at a lot of photos from Hollywood in the '20s, photographs of silent movies being filmed all over the world which are very specific and very evocative. Berenice, the lead actress, is my wife. She really followed the same path with me.
Michel Hazanavicius
I thought 'The Artist' was a perfect way to find a good balance. The artistic challenge is obvious because the film is black-and-white and its silent, but I did my best to make the movie accessible and easy to watch. I really don't want to make elitist movies. I really try hard to work for the audience. Audiences are smart. They get everything.
Michel Hazanavicius
I watched a lot of movies from all over the world. The Russians were very good at editing. They were specialists in editing. The Man with a Camera, if you know that movie, is incredible. I still don't understand how it works. It's a movie with no script, no actors and still it works. It's really good. It's really about editing.
Michel Hazanavicius
