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When you're with your wife, you don't say I love you to your wife every day but the ways you look at her and your actions are another way to communicate. Don't focus on dialogue, only focus on what you're expressing.
Michel Hazanavicius
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Michel Hazanavicius
Age: 57
Born: 1967
Born: March 29
Actor
Film Director
Film Editor
Film Producer
Screenwriter
Paris
France
Michel Hazanavičius
Way
Focus
Love
Ways
Wife
Action
Another
Expressing
Look
Dialogue
Looks
Communicate
Every
Actions
More quotes by Michel Hazanavicius
This is the problem with language, and this is what makes silent movies fun, because the connection with them, me or the audience is not with the language. There's no question of interpretation of what we are saying it's just about feeling. You create your own story
Michel Hazanavicius
Sure, I watched a lot of Hollywood movies. Maybe I've seen more Hollywood movies than French movies
Michel Hazanavicius
Bernard Herrmann was a genius, a great, great composer.
Michel Hazanavicius
But sometimes I think you have to try to do things that people don't think are doable.
Michel Hazanavicius
When you look at the early-'30s movies, like King Kong, the codes of acting are very similar to those of silent movies. In some of the silent movies - the good ones, the ones done by the best directors - the acting is very, very natural
Michel Hazanavicius
I love silent cinema but don't hold it sacred. Like any branch of film there are some very boring films alongside the masterpieces.
Michel Hazanavicius
French people are strange about America, I think.
Michel Hazanavicius
I think being a foreigner and talking about Hollywood allowed me to use some cliches and some references that an American would maybe not use.
Michel Hazanavicius
I want to thank three person: I want to thank Billy Wilder. I want to thank Billy Wilder. And I want to thank Billy Wilder.
Michel Hazanavicius
I can say is usually people are slightly confused. They think that silent movies are old. But, the fact is, they are old because they have been made in the '20s. That's the thing that makes them old. Not the format. The format is just a format. It's not an old format.
Michel Hazanavicius
I looked at a lot of photos from Hollywood in the '20s, photographs of silent movies being filmed all over the world which are very specific and very evocative. Berenice, the lead actress, is my wife. She really followed the same path with me.
Michel Hazanavicius
I watched a lot of movies from all over the world. The Russians were very good at editing. They were specialists in editing. The Man with a Camera, if you know that movie, is incredible. I still don't understand how it works. It's a movie with no script, no actors and still it works. It's really good. It's really about editing.
Michel Hazanavicius
I make almost all the decisions on set and have to deal with all the financial aspects.
Michel Hazanavicius
I think there's something in common with the OSS 117 movies. The big difference is there's no irony in this one. It's not parody. I tried to make it very simple. It's a simple story, but to be simple, it's very complex in the way it's done.
Michel Hazanavicius
I watched a lot of silent directors who were absolutely great like John Ford and Fritz Lang, Tod Browning, and also some very modern directors like The Coen Brothers. The directors take the freedom within their own movies to be melodramatic or funny when they chose to be. They do whatever they want and they don't care about the genre.
Michel Hazanavicius
Actually, I met a lot of directors and most of them have that fantasy to make a silent movie because for directors it's the purest way to tell a story. It's about creating images that tell a story and you don't need dialogue for that.
Michel Hazanavicius
The Germans were much more graphical. The expressionism is much more than cinema. It was a movement with artists, painters, music and architecture, so it's really graphic and visual. And the French were something else.
Michel Hazanavicius
I thought 'The Artist' was a perfect way to find a good balance. The artistic challenge is obvious because the film is black-and-white and its silent, but I did my best to make the movie accessible and easy to watch. I really don't want to make elitist movies. I really try hard to work for the audience. Audiences are smart. They get everything.
Michel Hazanavicius
I'm very happy in France making movies.
Michel Hazanavicius
I guess all the directors in France are influenced by Hitchcock, because he's the perfect visual director, in my eyes.
Michel Hazanavicius
