Quote

If you take a child from South Africa and you put them in Boston, they're going to speak with a Boston accent. And so, that's a way to see the world as everybody is equal, not as a result of politics, but as human beings.

Michel Gondry

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Michel Gondry
Age: 61
Born: 1963
Born: May 8
Actor
Comics Artist
Director
Film Director
Screenwriter
Versailles
Yvelines
Humans
Beings
Take
Equal
Accent
Children
Results
Going
Everybody
Accents
Way
Politics
Boston
World
Child
Africa
Speak
Result
Human
South

More quotes by Michel Gondry

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You can't feel sorry for a scene. If the movie works without the scene, then you don't need the scene.
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I would define myself as being naive and perverse at the same time. And I think that if that is consistent it will make the tone consistent.
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I don't like those shows where people get eliminated every week, and then they have to get meaner to survive.
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It's very hard to say I'm surrealist. It's like saying I'm poetic. It's not something you want necessarily to be aware of.
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Every great idea is on the verge of being stupid.
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Objectivity is very hard to achieve. It needs some research and patience. If you want to do something honest, you have to explore it a little longer.
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Pop music is created by repression - and then the system takes it and makes even more money with it!
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The first dolly track was somebody who had the idea to put the camera on a boat on a canal. So the boat would move very slowly but steadily. So they would see all that surrounds you and you'd see the landscape changing slowly. So that was the first time.
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I don't like movies that are too manipulative. A lot of movies thrive on really pushing your buttons and making you hate the villain.
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All these gadgets, the phone and the computer, they expose the inside of your brain in a way that's bad.
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People always say there is competition in nature, but I think that because we are human, it's not only competition. Because we are human we have something other than competition - sharing, helping others, or being oneself. Competition is really kind of ugly.
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I always wanted to create this community that would come and tell their own story, shoot it - and watch them. The idea is to not have one entity who creates the work, the project, and another entity who consumes it the idea is people create their own work, like somebody cultivating his garden.
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If people don't like the trailer, then blame it on the people who made the trailer.
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I've dreamed a lot, but i'm not a very good sleeper.
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I've always loved 3D. In fact, as a kid, I was exposed to 3D at an early age because my grandfather was a specialist of 3D in cinematheques. And then my cousin put it in 'Science of Sleep' with toilet paper tube cities. But he was a specialist and I always wanted to do something in 3D.
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I had a lot of encouragement and tolerance from my parents, but I also have many friends who didn't get that from their parents and in a way they have more strength from spending years where nobody believed in them.
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I read about some movie where they did everything on blue screen, and the actors were not even connecting to each other.
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I don't want to compare myself to him - I don't want people to see me as this great genius - but when I see Charlie Chaplin's movies there is a combination of drama, naivety and social meaning that I can see in myself, at a different level.
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You need philosophy. It sounds a little pompous but I think when you direct a film, the only way to find a response to the questions you keep asking yourself is to have a philosophy.
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Perhaps my favourite story is 'Le Passe-Muraille' by Marcel Ayme. It's about a guy who wakes up with a weird faculty that means he can walk through walls. He's a very shy clerk, and he uses it to get revenge, or vent his frustration.
Michel Gondry