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The MTV Video Awards were never about the video, but about the song. Most of the time it was just to glorify people for the wrong reason.
Michel Gondry
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Michel Gondry
Age: 61
Born: 1963
Born: May 8
Actor
Comics Artist
Director
Film Director
Screenwriter
Versailles
Yvelines
Wrong
Song
Reason
Never
Time
Glorify
People
Awards
Video
More quotes by Michel Gondry
I had a lot of encouragement and tolerance from my parents, but I also have many friends who didn't get that from their parents and in a way they have more strength from spending years where nobody believed in them.
Michel Gondry
You need philosophy. It sounds a little pompous but I think when you direct a film, the only way to find a response to the questions you keep asking yourself is to have a philosophy.
Michel Gondry
I think the purpose of test screenings is different for the studio and for the filmmaker. For the studio, I think they want to know whether the film works or not.
Michel Gondry
If people don't like the trailer, then blame it on the people who made the trailer.
Michel Gondry
Pop music is created by repression - and then the system takes it and makes even more money with it!
Michel Gondry
I was sort of lazy at school, but I realize I still have something to bring to the subject which is comforting. I feel I am not as stupid as I thought I was.
Michel Gondry
At school I was very shy. I wasn't funny really.
Michel Gondry
Sometimes, when people use too much blue screen in movies, the actors don't look credible, because they have their own opinion of what the thing will look like, and each person has a different opinion.
Michel Gondry
In the '90s movies were so serious, and so stylistic and slick that I could not identify with them.
Michel Gondry
I want to explore new ideas and put myself in a place where I can finish a project that is more unusual or that doesn't seem doable.
Michel Gondry
The beauty of doing film is that you construct whatever you do block by block and you can build something that will stay.
Michel Gondry
I've always loved 3D. In fact, as a kid, I was exposed to 3D at an early age because my grandfather was a specialist of 3D in cinematheques. And then my cousin put it in 'Science of Sleep' with toilet paper tube cities. But he was a specialist and I always wanted to do something in 3D.
Michel Gondry
I'm just thinking of 2001, which I think is the most expensive independent film ever made - which is great, someday I hope I will do one. But I know the parameters when I got onto this project - I have to take care of everyone, make sure that they are all on board, and this process interests me.
Michel Gondry
I don't want to compare myself to him - I don't want people to see me as this great genius - but when I see Charlie Chaplin's movies there is a combination of drama, naivety and social meaning that I can see in myself, at a different level.
Michel Gondry
I would define myself as being naive and perverse at the same time. And I think that if that is consistent it will make the tone consistent.
Michel Gondry
When I saw The Matrix and other movies of this type, I wished I had been given the opportunity to express myself with all this technology and do something sort of big in scale, but the right material never really came my way.
Michel Gondry
I always wanted to create this community that would come and tell their own story, shoot it - and watch them. The idea is to not have one entity who creates the work, the project, and another entity who consumes it the idea is people create their own work, like somebody cultivating his garden.
Michel Gondry
I want to see abstract art move. Especially in the '30s, you had animators doing innovative work, and I was entranced by that. It's basically what you see when you close your eyes, when you fall asleep.
Michel Gondry
I like the days when all the filmmakers had was a film roll, a camera and a gangster. The Mack Sennett comedies were all like that. They'd create little teams to go out and shoot films.
Michel Gondry
I shoot people in a way that makes the audience feel equal to them. And it's hard to express and it's hard to execute but I think it works on every level - the choice of the material the choice of the actor, my relationship with the actor, and so on.
Michel Gondry
