The next film I have is called Miles Ahead, which is about Miles Davis, during a five-year period in his life during which he's struggling to figure out which direction to go musically and in his life. I play a record executive who's there to try to get Miles to collaborate with one of my clients. I'm excited to see that.

My mom and my dad are ebullient people, and I think I carry that with me.

I'm always trying to remember that kindness goes a long, long way. I think that's something that people will definitely take out of this film as well.

I think Aaron [Sorkin] did a remarkable job of plucking Andy [Hertzfeld] out of [Steve] Jobs' story, to perhaps reflect back on Steve a sense of maybe some things that were missing in Steve's life. Andy, just by nature, is one of these straight shooters.

I've found in my own life, if you try to struggle against what the universe is telling you, you set yourself up for more of a battle.

I wanted to be a cartoonist. I was one of those kids who sat around and drew in my room all the time.

I think the theater work and the on-camera work feed off each other. My theater work has become more simple, and my on-camera work has become more energized or more spontaneous.

The bitterest truth is better than the sweetest lie.

Andy [Hertzfeld], just by nature, is one of these straight shooters. A very moral guy, kind of an open book. Along with being brilliant and one of the original members of the Macintosh team, he has a really generous spirit.

Things never go the way you expect them to. That's both the joy and frustration in life. I'm finding as I get older that I don't mind, though. It's the surprises that tickle me the most, the things you don't see coming.

I got to meet Andy [Hertzfeld], and he sort of opened his life to me. He showed me Palo Alto and we had food together and I met his wife and saw his home. We talked a lot about his experiences, and I just tried to absorb as much about him as I could.

To see those two characters [Steve Jobs and Andy Hertzfeld ] juxtaposed against each other shows an interesting dynamic of how gifted people might function differently in the world.

[Pawn Sacrifice is] about the 1972 chess championship between Bobby Fischer and Boris Spassky. I play Paul Marshall.It was a great story of a very peculiar man, another genius who's troubled and lived an interesting life. I had great fun making that.

I was raised in a reform synagogue. I think we all bring with us a sense of when hard things happen to us, we find ourselves asking questions of why are these things happening to me at this time in my life. I think in that sense, there's a certain resonance that I carry. It's more of a spiritual resonance as opposed to particularly of Judaism.

I love a sense of humor, I love intelligence, I love specificity, I love surprises. I'm inspired to get out of bed in the morning and fill my day with good things.