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We made part of the record in Miami, and I would go down to the beach, and not 20 feet from the water I see a fish that is at least seven feet long swimming close to the shore. I did not go back in the ocean the entire month.
Michael Stipe
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Michael Stipe
Age: 64
Born: 1960
Born: January 4
Actor
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Peace Activist
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Decatur
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John Michael Stipe
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More quotes by Michael Stipe
Peter was sick of being a pop star, the guitar god, and so he decided to teach himself other instruments. Among the instruments that he picked up was the mandolin.
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The song Sing for the Submarine presents my dream world, which is way different from my waking world. It's set in the future and it's post-apocalyptic.
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Anybody that walks can sing.
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You don't need to be talented. You don't even have to play the guitar to be a guitar player in a punk-rock band. So I, in a very naïve and teenage way, said, That's it. I'm going to be in a band.
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I went through this difficult time [in the 1984] when we were making our third record where I kind of lost my mind. That's when the bulimia kicked in. And that's when I got really freaky.
Michael Stipe
To be called an elder statesman is so unbelievably insulting. Brad Pitt is exactly three years younger than me.
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On planes I always cry. Something about altitude, the lack of oxygen and the bad movies. I cried over a St. Bernard movie once on a plane. That was really embarrassing.
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When we first started, we were a band from Athens and that was so off the map.
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I went through a period where I was really tired of seeing and reading about myself.
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My feeling is that labels are for canned food... I am what I am - and I know what I am.
Michael Stipe
Punk-rock records came out and you bought whatever you could find. But Devo didn't happen for another three years. Sex Pistols didn't tour the States until '78. At that time, for me, it was really about CBGB, Patti Smith, Talking Heads, the Ramones, and Television.
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[Columbia House] magazines were how I found out about the punk world going on in New York. Because of what I read, at the age of 15, I hounded the local record store to order a copy of Horses [1975] for me by Patti Smith.
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For me, as a music fan, visuals kind of steal away the purity of the song. My instinct is not to provide a visual to go with a piece of music. But here's MTV. It's really powerful.
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It was '86. We were a big enough name and we had enough cache that MTV wanted to play us, so, along with Michael Jackson and Madonna, they played our upside-down, black-and-white, backward, single unedited footage of a rock quarry with orange letters over the top of it and called it art.
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They spoke truth and a lot of people listened.... that voice, Kurt we miss you.
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By the time I was 18, I had absorbed punk rock from America, Britain, and the West Coast. All of it was so dark and weird and different and cool and hot and sexy and rebellious. It was a fist-in-the-air kind of rebellion that I wasn't getting from the '70s mainstream.
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I'm tired of being this solemn poet of the masses, the enigma shrouded in a mystery.
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I was vulnerable every day. Every night that I stepped on stage I was laying myself open.
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They always want me to play myself and that's a big snooze.
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I was doing that [a collaboration with Kurt Cobain] to try to save his life. The collaboration was me calling up as an excuse to reach out to this guy. He was in a really bad place.
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