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I think when you work on a Woody Allen film the actors become a real company, probably more than on any other film.

Michael Sheen

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Michael Sheen
Age: 55
Born: 1969
Born: February 5
Actor
Film Actor
Stage Actor
Television Actor
Voice Actor
Newport
South Wales
Michael Christopher Sheen
Think
Woody
Thinking
Probably
Company
Actors
Film
Become
Real
Work
Allen

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My rule of thumb is that I want to do things I'd like to go and see myself.
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I have a daughter, and fairies meant a lot to her growing up.
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I can be a lazy dresser.
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I live a very Kenneth Williams-like existence.
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You don't want to get into doing the same thing, over and over again. I know I don't.
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I think the story of 'Alice in Wonderland' in a way is a reminder that life is frightening, it can shift on you at any moment.
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I don't find the life in Hollywood all that meaningful or inspiring.
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Getting older is a struggle. I always feel that just under the surface of acceptance and enjoyment of the ageing process is a terrible hysteria just waiting to burst out.
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Well, I think tone is very important with this show [Masters of Sex] because there are certain elements or certain aspects to the show that may be reminiscent of other shows. But, it really is a very new kind of show, in terms of the subject matter and the way it's being dealt with, and the fact that it's about real people and real events.
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When you come to actually act, it's a game. It may be a very serious game, but it's still a game. If you lose that sense of play, the work suffers.
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'Hamlet' is one of the most dangerous things ever set down on paper. All the big, unknowable questions like what it is to be a human being the difference between sanity and insanity the meaning of life and death what's real and not real. All these subjects can literally drive you mad.
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As a general thing, I've always been drawn to characters who appear to be one thing on the surface, but are actually something else underneath.
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Acting itself is quite scary. Some people say that actors are show-offs, very egotistical and all that kind of stuff, but it is quite scary.
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On the one hand Twitter gives you the opportunity to engage with people, which is great, but on the other there are people who feel they can say whatever they want, put poison out there, really, without fear of any repercussions.
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My tragedy is that all I want is a dog, and yet I have been cursed with cats all my life.
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I try not to pay any attention to clothes fascism and I'd rather be thought of as someone who has his own sense of style.
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When I was at drama school, I wanted to change the world, and thought I had some great wisdom to impart to people about humanity. Now that I'm older, I know enough to realise that I know nothing at all.
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I think I'm becoming more relaxed in front of a camera. I suppose I'll always feel slightly more at home on stage. It's more of an actor's medium. You are your own editor, nobody else is choosing what is being seen of you.
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Hopefully, any character I play has an anchor in reality. The more fantastical characters, or fantastical worlds that they inhabit are really fun and allow you, in some ways, to tell stories and reveal things about our lives that would be harder to take, in a more realistic setting.
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I suppose I've got a reputation for playing quite extreme characters and making them quite believable.
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