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As a general thing, I've always been drawn to characters who appear to be one thing on the surface, but are actually something else underneath.

Michael Sheen

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Michael Sheen
Age: 55
Born: 1969
Born: February 5
Actor
Film Actor
Stage Actor
Television Actor
Voice Actor
Newport
South Wales
Michael Christopher Sheen
Actually
Else
Character
Underneath
Thing
Drawn
Something
Appear
Always
Surface
Characters
General

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I try not to pay any attention to clothes fascism and I'd rather be thought of as someone who has his own sense of style.
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We see death constantly on film.
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Acting itself is quite scary. Some people say that actors are show-offs, very egotistical and all that kind of stuff, but it is quite scary.
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I can be a lazy dresser.
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So, if they're coming in and having to do scenes that involve nudity or sexuality, in some way, the utmost important thing is that everyone feels comfortable and safe. If there's any gray area, that's going to be a problem.
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Hopefully, any character I play has an anchor in reality. The more fantastical characters, or fantastical worlds that they inhabit are really fun and allow you, in some ways, to tell stories and reveal things about our lives that would be harder to take, in a more realistic setting.
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Getting older is a struggle. I always feel that just under the surface of acceptance and enjoyment of the ageing process is a terrible hysteria just waiting to burst out.
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'Hamlet' is one of the most dangerous things ever set down on paper. All the big, unknowable questions like what it is to be a human being the difference between sanity and insanity the meaning of life and death what's real and not real. All these subjects can literally drive you mad.
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I think I'm becoming more relaxed in front of a camera. I suppose I'll always feel slightly more at home on stage. It's more of an actor's medium. You are your own editor, nobody else is choosing what is being seen of you.
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I find increasingly that the more extreme are the things going on in your life, the more cultural reference points fail you. More mythical reference points actually help, and you realize that's what myths are for. It's for human beings to process their experience in extremis.
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By the time you are 30 you are still trying to make your 15-year-old self happy but you are a different person. You need to be brave and let go of that.
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My own daughter is a big fan of the 'Twilight' stories, the books.
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Having said that, what I think we found, in doing the show, and in life, generally, is that the more you try to separate sex from everything else, it's impossible. You can't. The act of observation affects the actual experiment, and we see that in this.
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I was obsessed with football when I was growing up.
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We knew, very early on, that we had to be very, very clear that directors need to speak to actors and actresses and be very clear about what is expected, and find out whether they're comfortable with that. Wardrobe has to be in place. There have to be checks.
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I don't find the life in Hollywood all that meaningful or inspiring.
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When I was at drama school, I wanted to change the world, and thought I had some great wisdom to impart to people about humanity. Now that I'm older, I know enough to realise that I know nothing at all.
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I have a daughter, and fairies meant a lot to her growing up.
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While I enjoy spending time in L.A., Britain is my home.
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It's interesting that in searching for monsters to play you often end up playing leaders.
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