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I've always loved history and history is collage, it is a juxtaposition of the good and the bad and the strange, and how you place those sentences together changes the whole mood of a history.

Michael Ondaatje

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Michael Ondaatje
Age: 81
Born: 1943
Born: September 12
Author
Novelist
Pedagogue
Poet
Screenwriter
University Teacher
Writer
Ondaatje
Always
Changes
Strange
Loved
History
Collage
Place
Collages
Together
Juxtaposition
Whole
Sentences
Good
Mood

More quotes by Michael Ondaatje

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Nicholas Temelcoff is famous on the bridge, a daredevil. He is given all the difficult jobs and he takes them. He descends into the air with no fear. He is a solitary. He assembles ropes, brushes the tackle and pulley at his waist, and falls off the bridge like a diver over the edge of a boat.
Michael Ondaatje
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Truth, at the wrong time, can be dangerous.
Michael Ondaatje
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For echo is the soul of the voice exciting itself in hollow places.
Michael Ondaatje
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This last night we tear into each other, as if to wound, as if to find the key to everything before morning.
Michael Ondaatje
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Politically I also don't believe anymore that we can only have one voice to a story, it's like having one radio station to represent a country. You want the politics of any complicated situation to be complicated in a book of fiction or nonfiction.
Michael Ondaatje
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Don't we forgive everything of a lover? We forgive selfishness, desire, guile. As long as we are the motive for it...There are some European words you can never translate properly into another language.
Michael Ondaatje
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How we are almost nothing. We think, in our youth, we are the centre of the universe, but we simply respond, go this way or that by accident, survive or improve by the luck of the draw, with little choice or determination on our part.
Michael Ondaatje
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It's a discovery of a story when I write a book, a case of inching ahead on each page and discovering what's beyond in the darkness, beyond where you're writing.
Michael Ondaatje
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Once I've discovered the story, I might restructure it, maybe move things around, set up a clue that something is going to happen later, but that happens much later in an editorial capacity.
Michael Ondaatje
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It's a responsibility of the writer to get the reader out of the story somehow.
Michael Ondaatje
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This was the time in her life that she fell upon books as the only door out of her cell. They became half her world.
Michael Ondaatje
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There's always been anger in the making of music or literature or dance.
Michael Ondaatje
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A man in a desert can hold absence in his cupped hands knowing it is something more than water. There is a plant whose heart, if one cuts it out is replaced with fluid containing herbal goodness. Every morning one can drink the liquid amount of the missing heart.
Michael Ondaatje
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I want the marginality to come into the center. This is the thing I was conscious of growing up, when I later lived in England. I saw all these war movies that came out shortly after the war, and they were all about the war being fought by Englishmen or Americans, there were no other allies in it - from India or Australia, etc.
Michael Ondaatje
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I am someone who has a cold heart. If I am beside a great grief I throw barriers up so the loss cannot go too deep or too far. There is a wall instantly in place, and it will not fall.
Michael Ondaatje
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So many nurses had turned into emotionally disturbed handmaidens of the war, in their yellow-and-crimson uniforms with bone buttons.
Michael Ondaatje
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Snap. Lady with dog. Lady on sofa half-naked. Snap. Naked lady. Lady next to dresser. Lady at window. Snap. Lady on balcony sunlight. (On New Orleans photographer E. J. Bellocq)
Michael Ondaatje
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Women want everything of a lover. And too often I would sink below the surface. So armies disappear under sand. And there was her fear of her husband, her belief in her honour, my old desire for self-sufficiency, my disappearances, her suspicions of me, my disbelief that she loved me. The paranoia and claustrophobia of hidden love.
Michael Ondaatje
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That's one of the great sadnesses of any life - knowing what you know now and then remembering what you did not know then.
Michael Ondaatje
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In Sri Lanka a well-told lie is worth a thousand facts.
Michael Ondaatje