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When I write my novels I don't really have a huge plan beforehand I don't have the whole plot and architecture, so the story is sort of discovered as I write it.
Michael Ondaatje
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Michael Ondaatje
Age: 81
Born: 1943
Born: September 12
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Ondaatje
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More quotes by Michael Ondaatje
Fathers die.You keep on loving them in any way you can.You can't hide him away in your heart.
Michael Ondaatje
What is interesting and important happens mostly in secret, in places where there is no power.
Michael Ondaatje
It's an odd state to be in, blowing the whistle on your home country.
Michael Ondaatje
He knows that the only way he can accept losing her is if he can continue to hold her or be held by her. If they can somehow nurse each other out of this. Not with a wall.
Michael Ondaatje
Politically I also don't believe anymore that we can only have one voice to a story, it's like having one radio station to represent a country. You want the politics of any complicated situation to be complicated in a book of fiction or nonfiction.
Michael Ondaatje
There are betrayals in war that are childlike compared with our human betrayals during peace. The new lovers enter the habits of the other. Things are smashed, revealed in a new light. This is done with nervous or tender sentences, although the heart is an organ of fire.
Michael Ondaatje
Snap. Lady with dog. Lady on sofa half-naked. Snap. Naked lady. Lady next to dresser. Lady at window. Snap. Lady on balcony sunlight. (On New Orleans photographer E. J. Bellocq)
Michael Ondaatje
A writer uses a pen instead of a scalpel or blow torch.
Michael Ondaatje
There always should be something hanging unfinished before a scene ends so that there's a reason for going to the next scene.
Michael Ondaatje
The joyful will stoop with sorrow, and when you have gone to the earth I will let my hair grow long for your sake, I will wander through the wilderness in the skin of a lion
Michael Ondaatje
It's a responsibility of the writer to get the reader out of the story somehow.
Michael Ondaatje
If you look at Japanese film, it is made up of collage or bricolage, it is made up of lists, and suddenly when you stand back from the lists you begin to see the pattern of a life.
Michael Ondaatje
Over the years, confusing fragments, lost corners of stories, have a clearer meaning when seen in a new light, a different place.
Michael Ondaatje
What is interesting and important happens mostly in secret, in places where there is no power. Nothing much of lasting value ever happens at the head table, held together by a familiar rhetoric. Those who already have power continue to glide along the familiar rut they have made for themselves.
Michael Ondaatje
Nicholas Temelcoff is famous on the bridge, a daredevil. He is given all the difficult jobs and he takes them. He descends into the air with no fear. He is a solitary. He assembles ropes, brushes the tackle and pulley at his waist, and falls off the bridge like a diver over the edge of a boat.
Michael Ondaatje
Don't we forgive everything of a lover? We forgive selfishness, desire, guile. As long as we are the motive for it...There are some European words you can never translate properly into another language.
Michael Ondaatje
Before the real city could be seen it had to be imagined, the way rumours and tall tales were a kind of charting.
Michael Ondaatje
She entered the story knowing she would emerge from it feeling she had been immersed in the lives of others, in plots that stretched back twenty years, her body full of sentences and moments, as if awaking from sleep with a heaviness caused by unremembered dreams.
Michael Ondaatje
she had a laugh that hinted it had rolled around once or twice in the mud.
Michael Ondaatje
Sleep is a prison for a boy who has friends to meet.
Michael Ondaatje