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I think precision in writing goes hand in hand with not trying to say everything. You try and say two-thirds, so the reader will involve himself or herself.
Michael Ondaatje
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Michael Ondaatje
Age: 81
Born: 1943
Born: September 12
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Novelist
Pedagogue
Poet
Screenwriter
University Teacher
Writer
Ondaatje
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More quotes by Michael Ondaatje
The first sentence of every novel should be: Trust me, this will take time but there is order here, very faint, very human.
Michael Ondaatje
Before the real city could be seen it had to be imagined, the way rumours and tall tales were a kind of charting.
Michael Ondaatje
The joyful will stoop with sorrow, and when you have gone to the earth I will let my hair grow long for your sake, I will wander through the wilderness in the skin of a lion
Michael Ondaatje
There's more danger in the violence you don't face.
Michael Ondaatje
I tend not to know what the plot is or the story is or even the theme. Those things come later, for me.
Michael Ondaatje
Half a page--and the morning is already ancient.
Michael Ondaatje
Nicholas Temelcoff is famous on the bridge, a daredevil. He is given all the difficult jobs and he takes them. He descends into the air with no fear. He is a solitary. He assembles ropes, brushes the tackle and pulley at his waist, and falls off the bridge like a diver over the edge of a boat.
Michael Ondaatje
What is interesting and important happens mostly in secret, in places where there is no power. Nothing much of lasting value ever happens at the head table, held together by a familiar rhetoric. Those who already have power continue to glide along the familiar rut they have made for themselves.
Michael Ondaatje
I want the marginality to come into the center. This is the thing I was conscious of growing up, when I later lived in England. I saw all these war movies that came out shortly after the war, and they were all about the war being fought by Englishmen or Americans, there were no other allies in it - from India or Australia, etc.
Michael Ondaatje
Over the years, confusing fragments, lost corners of stories, have a clearer meaning when seen in a new light, a different place.
Michael Ondaatje
We keep wanting to save those who are forlorn in this world. It’s a male habit.
Michael Ondaatje
There are betrayals in war that are childlike compared with our human betrayals during peace. The new lovers enter the habits of the other. Things are smashed, revealed in a new light. This is done with nervous or tender sentences, although the heart is an organ of fire.
Michael Ondaatje
As someone who writes novels that are often set in other periods of time or other ages or other landscapes, there's a certain element of research I have to do, and often, the more laconic people are, the more interesting they become.
Michael Ondaatje
Don't we forgive everything of a lover? We forgive selfishness, desire, guile. As long as we are the motive for it...There are some European words you can never translate properly into another language.
Michael Ondaatje
It's why you create characters: so you can argue with yourself.
Michael Ondaatje
she had a laugh that hinted it had rolled around once or twice in the mud.
Michael Ondaatje
I believe this. When we meet those we fall in love with, there is an aspect of our spirit that is historian, a bit of a pedant who reminisces or remembers a meeting when the other has passed by innocently…but all parts of the body must be ready for the other, all atoms must jump in one direction for desire to occur.
Michael Ondaatje
The last three books are much more a case of a moment of history, what happened almost by accident or coincidence, like being in the same elevator or lifeboat.
Michael Ondaatje
The music of Gavin Bryars falls under no category. It is mongrel, full of sensuality and wit and is deeply moving. He is one of the few composers who can put slapstick and primal emotion alongside each other. He allows you to witness new wonders in the sounds around you by approaching them from a completely new angle. With a third ear maybe.
Michael Ondaatje
Moments before sleep are when she feels most alive, leaping across fragments of the day, bringing each moment into the bed with her like a child with schoolbooks and pencils. The day seems to have no order until these times, which are like a ledger for her, her body full of stories and situations.
Michael Ondaatje