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The first sentence of every novel should be: Trust me, this will take time but there is order here, very faint, very human.
Michael Ondaatje
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Michael Ondaatje
Age: 81
Born: 1943
Born: September 12
Author
Novelist
Pedagogue
Poet
Screenwriter
University Teacher
Writer
Ondaatje
Firsts
Human
Humans
Faint
First
Sentence
Take
Sentences
Every
Novel
Time
Trust
Order
More quotes by Michael Ondaatje
The last three books are much more a case of a moment of history, what happened almost by accident or coincidence, like being in the same elevator or lifeboat.
Michael Ondaatje
One of the things that happens in novels it's almost like a continual debate with yourself. That's why you're writing the book. It's why you create characters: so you can argue with yourself.
Michael Ondaatje
I want the marginality to come into the center. This is the thing I was conscious of growing up, when I later lived in England. I saw all these war movies that came out shortly after the war, and they were all about the war being fought by Englishmen or Americans, there were no other allies in it - from India or Australia, etc.
Michael Ondaatje
Tell me, is it possible to love someone who is not as smart as you are? ...But isn't it important for you to think she is smarter than you in order to fall in love? ...Why is that? Because we want to know things, how the pieces fit. Talkers seduce, words direct us into corners. We want more than anything to grow and change. Brave new world.
Michael Ondaatje
I'm a Canadian citizen. But I always want to feel at home in Sri Lanka. I'm a member of both countries.
Michael Ondaatje
Once I've discovered the story, I might restructure it, maybe move things around, set up a clue that something is going to happen later, but that happens much later in an editorial capacity.
Michael Ondaatje
There was always, he thought, this pleasure ahead of him, an ace of joy up his sleeve so he could say you can do anything to me, take everything away, put me in prison, but I will know [her] when we are old.
Michael Ondaatje
Research can be a big clunker. It's difficult to know how you can make the historical light.
Michael Ondaatje
I want to die on your chest but not yet she wrote sometime in the 13th century of our love
Michael Ondaatje
I see the poem or the novel ending with an open door.
Michael Ondaatje
He walked out of the hospital into the sun, into open air for the first time in months, out of the green-lit rooms that lay like glass in his mind. He stood there breathing everything in, the hurry of everyone. First, he thought, I need shoes with rubber on the bottom. I need gelato.
Michael Ondaatje
The joyful will stoop with sorrow, and when you have gone to the earth I will let my hair grow long for your sake, I will wander through the wilderness in the skin of a lion
Michael Ondaatje
I think precision in writing goes hand in hand with not trying to say everything. You try and say two-thirds, so the reader will involve himself or herself.
Michael Ondaatje
In Sri Lanka a well-told lie is worth a thousand facts.
Michael Ondaatje
Could you fall in love with her if she wasn't smarter than you? I mean, she may not be smarter than you. But isn't it important for you to think she is smarter than you in order to fall in love? Think now.
Michael Ondaatje
I am someone who has a cold heart. If I am beside a great grief I throw barriers up so the loss cannot go too deep or too far. There is a wall instantly in place, and it will not fall.
Michael Ondaatje
There are betrayals in war that are childlike compared with our human betrayals during peace. The new lovers enter the habits of the other. Things are smashed, revealed in a new light. This is done with nervous or tender sentences, although the heart is an organ of fire.
Michael Ondaatje
What he would say, he cannot say to this woman whose openness is like a wound, whose youth is not mortal yet. He cannot alter what he loves most in her, her lack of compromise, where the romance of the poems she loves still sits with ease in the real world. Outside these qualities he knows there is no order in the world.
Michael Ondaatje
We keep wanting to save those who are forlorn in this world. It’s a male habit.
Michael Ondaatje
You want to suggest something new, but at the same time, resolve the drama of the action in the novel.
Michael Ondaatje
