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All I desired was to walk upon such an earth that had no maps.
Michael Ondaatje
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Michael Ondaatje
Age: 81
Born: 1943
Born: September 12
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Novelist
Pedagogue
Poet
Screenwriter
University Teacher
Writer
Ondaatje
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More quotes by Michael Ondaatje
Politically I also don't believe anymore that we can only have one voice to a story, it's like having one radio station to represent a country. You want the politics of any complicated situation to be complicated in a book of fiction or nonfiction.
Michael Ondaatje
Could you fall in love with her if she wasn't smarter than you? I mean, she may not be smarter than you. But isn't it important for you to think she is smarter than you in order to fall in love? Think now.
Michael Ondaatje
Half a page--and the morning is already ancient.
Michael Ondaatje
Come. We must go deeper with no justice and no jokes.
Michael Ondaatje
she had a laugh that hinted it had rolled around once or twice in the mud.
Michael Ondaatje
You want to suggest something new, but at the same time, resolve the drama of the action in the novel.
Michael Ondaatje
...sometimes we enter art to hide within it. It is where we can go to save ourselves, where a third-person voice protects us.
Michael Ondaatje
A writer uses a pen instead of a scalpel or blow torch.
Michael Ondaatje
I want to die on your chest but not yet she wrote sometime in the 13th century of our love
Michael Ondaatje
She had always wanted words, she loved them grew up on them. Words gave her clarity, brought reason, shape.
Michael Ondaatje
Death means you are in the third person.
Michael Ondaatje
I believe this. When we meet those we fall in love with, there is an aspect of our spirit that is historian, a bit of a pedant who reminisces or remembers a meeting when the other has passed by innocently…but all parts of the body must be ready for the other, all atoms must jump in one direction for desire to occur.
Michael Ondaatje
She entered the story knowing she would emerge from it feeling she had been immersed in the lives of others, in plots that stretched back twenty years, her body full of sentences and moments, as if awaking from sleep with a heaviness caused by unremembered dreams.
Michael Ondaatje
He was a man who wrote, who interpreted the world. Wisdom grew out of being handed just the smallest sliver of emotion. A glance could lead to paragraphs of theory.
Michael Ondaatje
What he would say, he cannot say to this woman whose openness is like a wound, whose youth is not mortal yet. He cannot alter what he loves most in her, her lack of compromise, where the romance of the poems she loves still sits with ease in the real world. Outside these qualities he knows there is no order in the world.
Michael Ondaatje
I tend not to know what the plot is or the story is or even the theme. Those things come later, for me.
Michael Ondaatje
Women want everything of a lover. And too often I would sink below the surface. So armies disappear under sand. And there was her fear of her husband, her belief in her honour, my old desire for self-sufficiency, my disappearances, her suspicions of me, my disbelief that she loved me. The paranoia and claustrophobia of hidden love.
Michael Ondaatje
You must talk to me, Caravaggio. Or am I just a book? Something to be read, some creature to be tempted out of a loch and shot full of morphine, full of corridors, lies, loose vegetation, pockets of stones.
Michael Ondaatje
How we are almost nothing. We think, in our youth, we are the centre of the universe, but we simply respond, go this way or that by accident, survive or improve by the luck of the draw, with little choice or determination on our part.
Michael Ondaatje
I am someone who has a cold heart. If I am beside a great grief I throw barriers up so the loss cannot go too deep or too far. There is a wall instantly in place, and it will not fall.
Michael Ondaatje