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I wasn't Barbie-obsessed. I think my mother might have been my Barbie.

Michael Kors

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Michael Kors
Age: 65
Born: 1959
Born: August 9
Fashion Designer
Reality Television Program Judge
Karl Anderson
Jr.
MK
Karl Anderson Jr
Michael David Kors
Wasn
Mother
Might
Think
Thinking
Barbie
Obsessed

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I not only enjoy it, I think, how do you design things that are applicable to life - unless you live it?
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When you try on something, you have to ask yourself, 'How many ways could I wear this? Could I wear it to work? To dinner or drinks? Will it span the seasons' If you have to think too hard about those questions, then skip it.
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I can't dance and I can't sing too well.
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Every woman should own a shirtdress
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Fashion is not like the movie business, where you can have two great projects in a row and then say, You know what? I'm going to take off eight months. What am I going to tell people? Wear last year's clothes?
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I think the trick is, how do you spend time doing it but make it look like you haven't spent time doing it? Over the years you look at women like Lauren Hutton and everyone says: 'She just pulled her hair back and ran out of the door.' I've been in fittings with Lauren and she definitely thinks about it. She just knows how to make it look easy.
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When I'm not working I'm a slug - a full slug. I am not good at the in-between. I'm either fever-pitched or want to just pass out on a beach with a really sleazy book and eat a cheeseburger.
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Americans are always a little bit insecure.
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I think to be empathetic is the greatest gift you can have as a designer. Hopefully, people will look at me and say, 'He really loved women.'
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People want to look taller and thinner. No one says, 'Ooh! Let me buy that dress because it makes me feel matronly!'
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My legacy would be that you don't have to give up anything. You can be chic but have a sense of humor, you can be sexy but comfortable, you can be timeless but fresh.
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People always think that designers hate each other. And we're certainly a competitive lot, but we also enjoy each other's company. No one else knows what you're going through other than another designer.
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Seventy per cent of the clothes you own should be meat and potatoes. Thirty per cent should be icing and fluff - that's colour, pattern, shine, accessories. Too many women get the proportions the other way round, then can't figure out why they can't get dressed.
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It's funny when I hear people complain - particularly about the most fabulous parts of being a designer, like when you're getting ready to work on a show. I don't even know that I'm tired. I could stay up for six days straight! No drugs, no coffee, no nothing. I'm just so excited.
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You make sexiness strong by balancing it out: something familiar with something unfamiliar, something masculine with something feminine, something streamlined with something rococo. It's a Yin and Yang. Women are made of layers, your mood shifts, no one is neither one extreme nor the other.
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I grew up surrounded by these tough, ballsy, strong women. They were also adoring women, but they were the kind of women who would argue over what kind of pants you were wearing or the color of your nail polish.
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Great style means having a point of view, but evolving your look is even more important. Rushing to embrace every trend will leave you fashionable, but not stylish
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I feel unbelievably fortunate. How many people get to do what they always wanted to do and do well with it and continue to be surprised and see amazing places and meet amazing people?
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No human being should wear tight satin.
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The biggest lesson that I've learned is that fashion is this tightrope where you have to be consistent but inconsistent. You need the connective thread but at the same time you need a sense of surprise.
Michael Kors