Quote

When I'm not working I'm a slug - a full slug. I am not good at the in-between. I'm either fever-pitched or want to just pass out on a beach with a really sleazy book and eat a cheeseburger.

Michael Kors

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Michael Kors
Age: 65
Born: 1959
Born: August 9
Fashion Designer
Reality Television Program Judge
Karl Anderson
Jr.
MK
Karl Anderson Jr
Michael David Kors
Either
Sleazy
Full
Slug
Working
Slugs
Book
Cheeseburger
Really
Pitched
Good
Fever
Beach
Pass

More quotes by Michael Kors

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I wasn't Barbie-obsessed. I think my mother might have been my Barbie.
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I think the trick is, how do you spend time doing it but make it look like you haven't spent time doing it? Over the years you look at women like Lauren Hutton and everyone says: 'She just pulled her hair back and ran out of the door.' I've been in fittings with Lauren and she definitely thinks about it. She just knows how to make it look easy.
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The biggest lesson that I've learned is that fashion is this tightrope where you have to be consistent but inconsistent. You need the connective thread but at the same time you need a sense of surprise.
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Every woman should own a shirtdress
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People shouldn't notice what you're wearing before they notice you. You want people to register you first. 'Oh, what a nice jacket' should be an afterthought if you're doing it right.
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I've always thought of accessories as the exclamation point of a woman's outfit.
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People want to look taller and thinner. No one says, 'Ooh! Let me buy that dress because it makes me feel matronly!'
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Americans are always a little bit insecure.
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My apartment looks like no one lives in it.
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It's funny when I hear people complain - particularly about the most fabulous parts of being a designer, like when you're getting ready to work on a show. I don't even know that I'm tired. I could stay up for six days straight! No drugs, no coffee, no nothing. I'm just so excited.
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The greenest thing you could do in fashion, is to buy something great that you’re going to use for years
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Fashion is not like the movie business, where you can have two great projects in a row and then say, You know what? I'm going to take off eight months. What am I going to tell people? Wear last year's clothes?
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Give me Caviar Kaspia and give me a hamburger. I love the two extremes.
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When you try on something, you have to ask yourself, 'How many ways could I wear this? Could I wear it to work? To dinner or drinks? Will it span the seasons' If you have to think too hard about those questions, then skip it.
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People always think that designers hate each other. And we're certainly a competitive lot, but we also enjoy each other's company. No one else knows what you're going through other than another designer.
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I can't dance and I can't sing too well.
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I feel unbelievably fortunate. How many people get to do what they always wanted to do and do well with it and continue to be surprised and see amazing places and meet amazing people?
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American women often fall into the trap of, Oh, these are my weekend clothes. These are my work clothes. This is what I wear at night. It's so old-fashioned. The French are not afraid of their luxury. Americans can be so puritanical and think, That's my special-occasion bag. Whereas, for a French woman, it's her everyday bag.
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I think to be empathetic is the greatest gift you can have as a designer. Hopefully, people will look at me and say, 'He really loved women.'
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The minute it gets to a runway, you're tempted to do some high jinks. I don't want to show something I won't produce. I want people to wear the clothes I show.
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