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When I'm not working I'm a slug - a full slug. I am not good at the in-between. I'm either fever-pitched or want to just pass out on a beach with a really sleazy book and eat a cheeseburger.

Michael Kors

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Michael Kors
Age: 65
Born: 1959
Born: August 9
Fashion Designer
Reality Television Program Judge
Karl Anderson
Jr.
MK
Karl Anderson Jr
Michael David Kors
Beach
Pass
Either
Sleazy
Full
Slug
Working
Slugs
Book
Cheeseburger
Really
Pitched
Good
Fever

More quotes by Michael Kors

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No human being should wear tight satin.
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People shouldn't notice what you're wearing before they notice you. You want people to register you first. 'Oh, what a nice jacket' should be an afterthought if you're doing it right.
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My legacy would be that you don't have to give up anything. You can be chic but have a sense of humor, you can be sexy but comfortable, you can be timeless but fresh.
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The biggest lesson that I've learned is that fashion is this tightrope where you have to be consistent but inconsistent. You need the connective thread but at the same time you need a sense of surprise.
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I grew up surrounded by these tough, ballsy, strong women. They were also adoring women, but they were the kind of women who would argue over what kind of pants you were wearing or the color of your nail polish.
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Fashion is like food! Some people like sushi, others think hamburgers are divine! People like different things!
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I think to be empathetic is the greatest gift you can have as a designer. Hopefully, people will look at me and say, 'He really loved women.'
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Great style means having a point of view, but evolving your look is even more important. Rushing to embrace every trend will leave you fashionable, but not stylish
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Seventy per cent of the clothes you own should be meat and potatoes. Thirty per cent should be icing and fluff - that's colour, pattern, shine, accessories. Too many women get the proportions the other way round, then can't figure out why they can't get dressed.
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I can't dance and I can't sing too well.
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If you want to have longevity, then I think that you have to have a point of view, but at the same time still be elastic. Things evolve, the world changes, but people have to know you for who you are so they know what you stand for.
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I not only enjoy it, I think, how do you design things that are applicable to life - unless you live it?
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People always think that designers hate each other. And we're certainly a competitive lot, but we also enjoy each other's company. No one else knows what you're going through other than another designer.
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I wasn't Barbie-obsessed. I think my mother might have been my Barbie.
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When you try on something, you have to ask yourself, 'How many ways could I wear this? Could I wear it to work? To dinner or drinks? Will it span the seasons' If you have to think too hard about those questions, then skip it.
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Every woman should own a shirtdress
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I think the trick is, how do you spend time doing it but make it look like you haven't spent time doing it? Over the years you look at women like Lauren Hutton and everyone says: 'She just pulled her hair back and ran out of the door.' I've been in fittings with Lauren and she definitely thinks about it. She just knows how to make it look easy.
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You make sexiness strong by balancing it out: something familiar with something unfamiliar, something masculine with something feminine, something streamlined with something rococo. It's a Yin and Yang. Women are made of layers, your mood shifts, no one is neither one extreme nor the other.
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People want to look taller and thinner. No one says, 'Ooh! Let me buy that dress because it makes me feel matronly!'
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The minute it gets to a runway, you're tempted to do some high jinks. I don't want to show something I won't produce. I want people to wear the clothes I show.
Michael Kors