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When I'm not working I'm a slug - a full slug. I am not good at the in-between. I'm either fever-pitched or want to just pass out on a beach with a really sleazy book and eat a cheeseburger.

Michael Kors

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Michael Kors
Age: 65
Born: 1959
Born: August 9
Fashion Designer
Reality Television Program Judge
Karl Anderson
Jr.
MK
Karl Anderson Jr
Michael David Kors
Beach
Pass
Either
Sleazy
Full
Slug
Working
Slugs
Book
Cheeseburger
Really
Pitched
Good
Fever

More quotes by Michael Kors

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I can't dance and I can't sing too well.
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No human being should wear tight satin.
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Americans are always a little bit insecure.
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I not only enjoy it, I think, how do you design things that are applicable to life - unless you live it?
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American women often fall into the trap of, Oh, these are my weekend clothes. These are my work clothes. This is what I wear at night. It's so old-fashioned. The French are not afraid of their luxury. Americans can be so puritanical and think, That's my special-occasion bag. Whereas, for a French woman, it's her everyday bag.
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I've always thought of accessories as the exclamation point of a woman's outfit.
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Seventy per cent of the clothes you own should be meat and potatoes. Thirty per cent should be icing and fluff - that's colour, pattern, shine, accessories. Too many women get the proportions the other way round, then can't figure out why they can't get dressed.
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Fashion is not like the movie business, where you can have two great projects in a row and then say, You know what? I'm going to take off eight months. What am I going to tell people? Wear last year's clothes?
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You make sexiness strong by balancing it out: something familiar with something unfamiliar, something masculine with something feminine, something streamlined with something rococo. It's a Yin and Yang. Women are made of layers, your mood shifts, no one is neither one extreme nor the other.
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I think to be empathetic is the greatest gift you can have as a designer. Hopefully, people will look at me and say, 'He really loved women.'
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People want to look taller and thinner. No one says, 'Ooh! Let me buy that dress because it makes me feel matronly!'
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People shouldn't notice what you're wearing before they notice you. You want people to register you first. 'Oh, what a nice jacket' should be an afterthought if you're doing it right.
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The biggest lesson that I've learned is that fashion is this tightrope where you have to be consistent but inconsistent. You need the connective thread but at the same time you need a sense of surprise.
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The greenest thing you could do in fashion, is to buy something great that you’re going to use for years
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The minute it gets to a runway, you're tempted to do some high jinks. I don't want to show something I won't produce. I want people to wear the clothes I show.
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Ultimately, clean lines have greater longevity, which women appreciate, and to which they can add their own personality
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When you try on something, you have to ask yourself, 'How many ways could I wear this? Could I wear it to work? To dinner or drinks? Will it span the seasons' If you have to think too hard about those questions, then skip it.
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I wasn't Barbie-obsessed. I think my mother might have been my Barbie.
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I feel unbelievably fortunate. How many people get to do what they always wanted to do and do well with it and continue to be surprised and see amazing places and meet amazing people?
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I grew up surrounded by these tough, ballsy, strong women. They were also adoring women, but they were the kind of women who would argue over what kind of pants you were wearing or the color of your nail polish.
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