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The biggest lesson that I've learned is that fashion is this tightrope where you have to be consistent but inconsistent. You need the connective thread but at the same time you need a sense of surprise.
Michael Kors
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Michael Kors
Age: 65
Born: 1959
Born: August 9
Fashion Designer
Reality Television Program Judge
Karl Anderson
Jr.
MK
Karl Anderson Jr
Michael David Kors
Surprise
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Connective
Fashion
Tightrope
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Inconsistent
Sense
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Biggest
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I wasn't Barbie-obsessed. I think my mother might have been my Barbie.
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Seventy per cent of the clothes you own should be meat and potatoes. Thirty per cent should be icing and fluff - that's colour, pattern, shine, accessories. Too many women get the proportions the other way round, then can't figure out why they can't get dressed.
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My apartment looks like no one lives in it.
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Fashion is not like the movie business, where you can have two great projects in a row and then say, You know what? I'm going to take off eight months. What am I going to tell people? Wear last year's clothes?
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Ultimately, clean lines have greater longevity, which women appreciate, and to which they can add their own personality
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People shouldn't notice what you're wearing before they notice you. You want people to register you first. 'Oh, what a nice jacket' should be an afterthought if you're doing it right.
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My legacy would be that you don't have to give up anything. You can be chic but have a sense of humor, you can be sexy but comfortable, you can be timeless but fresh.
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Give me Caviar Kaspia and give me a hamburger. I love the two extremes.
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The greenest thing you could do in fashion, is to buy something great that you’re going to use for years
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When you try on something, you have to ask yourself, 'How many ways could I wear this? Could I wear it to work? To dinner or drinks? Will it span the seasons' If you have to think too hard about those questions, then skip it.
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You make sexiness strong by balancing it out: something familiar with something unfamiliar, something masculine with something feminine, something streamlined with something rococo. It's a Yin and Yang. Women are made of layers, your mood shifts, no one is neither one extreme nor the other.
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When I'm not working I'm a slug - a full slug. I am not good at the in-between. I'm either fever-pitched or want to just pass out on a beach with a really sleazy book and eat a cheeseburger.
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I've always thought of accessories as the exclamation point of a woman's outfit.
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Fashion is like food! Some people like sushi, others think hamburgers are divine! People like different things!
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I grew up surrounded by these tough, ballsy, strong women. They were also adoring women, but they were the kind of women who would argue over what kind of pants you were wearing or the color of your nail polish.
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I grew up in a family of people who were obsessed with fashion.
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People always think that designers hate each other. And we're certainly a competitive lot, but we also enjoy each other's company. No one else knows what you're going through other than another designer.
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I feel unbelievably fortunate. How many people get to do what they always wanted to do and do well with it and continue to be surprised and see amazing places and meet amazing people?
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If you want to have longevity, then I think that you have to have a point of view, but at the same time still be elastic. Things evolve, the world changes, but people have to know you for who you are so they know what you stand for.
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Every woman should own a shirtdress
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