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Even the most elitist director or author who claims that he doesn't care if his works are seen or not, then I have to think that he's either a liar or a hypocrite.
Michael Haneke
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Michael Haneke
Age: 82
Born: 1942
Born: March 23
Film Actor
Film Critic
Film Director
Screenwriter
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University Teacher
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München
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More quotes by Michael Haneke
There are really two types of laughter on the part of the spectator. There is the laughter of recognition - which means seeing things you're familiar with and laughing at yourself. But there's also hysterical laughter - a way of dealing with the things we see that upset us.
Michael Haneke
It's a disease of critics that once they've labeled someone, it's very hard to change their perspective. It's laziness.
Michael Haneke
You cannot hurt animals, so what do I do? I kill the dog first. Then I do it with the boy. You're not supposed to break the illusion of this being a film, so I make the actor talk to the audience. Provocation is the principle of the whole film [ Funny Games]. It is very ironic.
Michael Haneke
If I tell the audience what they should think, then I am robbing them of their own imagination and their own capacity of deciding what's important to them.
Michael Haneke
Pornography, it seems to me, is no different from war films or propaganda films in that it tries to make the visceral, horrific, or transgressive elements of life consumable.
Michael Haneke
I always seek to mobilize, to call on the imagination of the spectator. It's well-known that the images that are created by one's imagination are far stronger than any that I can show. In fact, it's an error, a widespread error in mainstream cinema, to always want to show things and to depict things.
Michael Haneke
For me, it's always difficult when a historical film claims to depict or represent a reality that none of us can know, that is always different. It's always the case. We never know what happened then. So my approach with the narrator is to question that, to leave that open, to underline the fact that this is uncertain.
Michael Haneke
I love actors, both my parents were actors, and the work with actors is the most enjoyable part of making a film. It's important that they feel protected and are confident they won't be betrayed. When you create that atmosphere of trust, it's in the bag - the actors will do everything to satisfy you.
Michael Haneke
Film is 24 lies per second at the service of truth, or at the service of the attempt to find the truth.
Michael Haneke
In German. I'm more sensitized to the details, to the emotions. In English, I wouldn't detect as much nuance.
Michael Haneke
A strict form such as mine cannot be achieved through improvisation.
Michael Haneke
I want to be able to control things and that's very difficult to do if you're not 100% in a particular language. It makes you uncertain and it makes you nervous.
Michael Haneke
Of course, we avoid death. To know something is inevitable is one thing. To accept, to truly feel it... that's different.
Michael Haneke
Classicism becomes avant-garde when everyone else is doing their utmost to develop new stylistic forms. I think it's healthy to return to classical forms.
Michael Haneke
It's more enjoyable to shoot in a studio on a single location with two actors... if they are good.
Michael Haneke
That is one of the characteristics of fascism, the idea that the state can provide all of the answers for everyone.
Michael Haneke
Like every filmmaker, I make my films to reach the widest audience possible.
Michael Haneke
Of course there are many films about the period of Fascism itself but I don't know of any about that period beforehand. But it wasn't that specific fact that they weren't there that got me to think about this in the first place. It's not what led to the basic idea for the film, although it became apparent when I began to think about it.
Michael Haneke
It's a fact that people who are in a weakened position, whether physically or mentally, have this perception of the outer world as threatening. Everything that is unexpected or unknown is seen as a potential danger.
Michael Haneke
Mainstream cinema raises questions only to immediately provide an answer to them, so they can send the spectator home reassured. If we actually had those answers, then society would appear very different from what it is.
Michael Haneke