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In German. I'm more sensitized to the details, to the emotions. In English, I wouldn't detect as much nuance.
Michael Haneke
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Michael Haneke
Age: 82
Born: 1942
Born: March 23
Film Actor
Film Critic
Film Director
Screenwriter
Theatrical Director
University Teacher
Writer
München
Emotion
Sensitized
Much
Detect
Nuance
German
Emotions
Details
English
Wouldn
More quotes by Michael Haneke
I always seek to mobilize, to call on the imagination of the spectator. It's well-known that the images that are created by one's imagination are far stronger than any that I can show. In fact, it's an error, a widespread error in mainstream cinema, to always want to show things and to depict things.
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There are really two types of laughter on the part of the spectator. There is the laughter of recognition - which means seeing things you're familiar with and laughing at yourself. But there's also hysterical laughter - a way of dealing with the things we see that upset us.
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You cannot hurt animals, so what do I do? I kill the dog first. Then I do it with the boy. You're not supposed to break the illusion of this being a film, so I make the actor talk to the audience. Provocation is the principle of the whole film [ Funny Games]. It is very ironic.
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As a private person, professionally I am invisible.
Michael Haneke
A strict form such as mine cannot be achieved through improvisation.
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Like every filmmaker, I make my films to reach the widest audience possible.
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I'm not really a happy person. It's a question of temperament. I have a tendency toward melancholy. You can feel quite happily melancholic.
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It's the duty of art to ask questions, not to provide answers. And if you want a clearer answer, I'll have to pass.
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At its best, film should be like a ski jump. It should give the viewer the option of taking flight, while the act of jumping is left up to him.
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I don't need a psychiatrist. I can sort out my fears with my work. That's the privilege of all artists, to be able to sort out their unhappiness and their neuroses in order to create something.
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Classicism becomes avant-garde when everyone else is doing their utmost to develop new stylistic forms. I think it's healthy to return to classical forms.
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Even the most elitist director or author who claims that he doesn't care if his works are seen or not, then I have to think that he's either a liar or a hypocrite.
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I consider all my films experiments.
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When you create a church, an institution, and you create a dogma. When you create an ideology, that's the danger. Communism, too, is a beautiful idea, but millions of people died when communism became an ideology.
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Film is simply the most complex way you can express yourself
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That is one of the characteristics of fascism, the idea that the state can provide all of the answers for everyone.
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What we're doing for another person is more important than what we're feeling for them.
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I want to make it clear: it's not that I hate mainstream cinema. It's perfectly fine. There are a lot of people who need to escape, because they are in very difficult situations, so they have the right to escape from the world. But this has nothing to do with an art form.
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It's a fact that people who are in a weakened position, whether physically or mentally, have this perception of the outer world as threatening. Everything that is unexpected or unknown is seen as a potential danger.
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If I tell the audience what they should think, then I am robbing them of their own imagination and their own capacity of deciding what's important to them.
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