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To me, it's far more efficient to mobilize the imagination. It's far more efficient to hear a creaking step, for example, than to see the face of a monster, which usually looks ridiculous, and where you know that the blood is ketchup.

Michael Haneke

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Michael Haneke
Age: 82
Born: 1942
Born: March 23
Film Actor
Film Critic
Film Director
Screenwriter
Theatrical Director
University Teacher
Writer
München
Faces
Step
Looks
Usually
Creaking
Steps
Mobilize
Example
Ketchup
Blood
Monster
Hear
Efficient
Imagination
Monsters
Face
Ridiculous

More quotes by Michael Haneke

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Mainstream cinema raises questions only to immediately provide an answer to them, so they can send the spectator home reassured. If we actually had those answers, then society would appear very different from what it is.
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A strict form such as mine cannot be achieved through improvisation.
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People have been educated to expect answers, even before the questions come along. It's the TV principle. You offer three possible answers before the questions come to relax and calm the audience.
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Films that are entertainments give simple answers but I think that's ultimately more cynical, as it denies the viewer room to think. If there are more answers at the end, then surely it is a richer experience.
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It became a gamble to myself whether I was able to do the exact same film [Funny Games]under very different circumstances.
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Drama lives on conflict. If you're trying to deal with social issues seriously, there's no way of avoiding violence, which is so present in society.
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People expect me to be dark and gloomy, then write that I'm a jolly chap, and after all, that is what I am. I think it's a case of an absolute romantic naivety that there should be a parallel between the work and the artist.
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When you create a church, an institution, and you create a dogma. When you create an ideology, that's the danger. Communism, too, is a beautiful idea, but millions of people died when communism became an ideology.
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To decide to film a movie again shot by shot, you must be masochistic to a certain degree because it is a much greater challenge.
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The dumber people are, the more they feel the need for a broad set of shoulders they can lay their head against.
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It's impossible to consider living without ideals. However, when ideas lead to ideology, that's a very dangerous thing. Ideology then leads to creating the image of an enemy, and it leads to the murder and massacre that we've seen since the beginning of time.
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A feature film is twenty-four lies per second.
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I want to make it clear: it's not that I hate mainstream cinema. It's perfectly fine. There are a lot of people who need to escape, because they are in very difficult situations, so they have the right to escape from the world. But this has nothing to do with an art form.
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Even the most elitist director or author who claims that he doesn't care if his works are seen or not, then I have to think that he's either a liar or a hypocrite.
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Like every filmmaker, I make my films to reach the widest audience possible.
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It's a fact that people who are in a weakened position, whether physically or mentally, have this perception of the outer world as threatening. Everything that is unexpected or unknown is seen as a potential danger.
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It's the duty of art to ask questions, not to provide answers. And if you want a clearer answer, I'll have to pass.
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I think that religion is an integral part of human needs, but the question also is how you understand religion.
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In German. I'm more sensitized to the details, to the emotions. In English, I wouldn't detect as much nuance.
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If you do an original film and you want to cut a scene out you do it. But when you do a shot by shot remake you don't have that option and every scene has to work again.
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