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I've never let producers tell me what to do. Even when I was making television, I always did what I wanted to do, and if I couldn't, I didn't do it. It was a freedom that, these days, young directors starting out don't have.
Michael Haneke
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Michael Haneke
Age: 82
Born: 1942
Born: March 23
Film Actor
Film Critic
Film Director
Screenwriter
Theatrical Director
University Teacher
Writer
München
Young
Directors
Wanted
Couldn
Even
Television
Always
Days
Never
Freedom
Making
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Producers
Didn
Starting
More quotes by Michael Haneke
I consider all my films experiments.
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Never say no. It always depends on what's possible. I don't care so much where it is it's what I want to do that matters.
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That is one of the characteristics of fascism, the idea that the state can provide all of the answers for everyone.
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Because I'm the author of my screenplays I know what I'm looking for. It's true that I can be stubborn in demanding that I get what I want, but it's also a question of working with patience and love.
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If I tell the audience what they should think, then I am robbing them of their own imagination and their own capacity of deciding what's important to them.
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In German. I'm more sensitized to the details, to the emotions. In English, I wouldn't detect as much nuance.
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To me, it's far more efficient to mobilize the imagination. It's far more efficient to hear a creaking step, for example, than to see the face of a monster, which usually looks ridiculous, and where you know that the blood is ketchup.
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I think that religion is an integral part of human needs, but the question also is how you understand religion.
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You cannot hurt animals, so what do I do? I kill the dog first. Then I do it with the boy. You're not supposed to break the illusion of this being a film, so I make the actor talk to the audience. Provocation is the principle of the whole film [ Funny Games]. It is very ironic.
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It's a fact that people who are in a weakened position, whether physically or mentally, have this perception of the outer world as threatening. Everything that is unexpected or unknown is seen as a potential danger.
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A feature film is twenty-four lies per second.
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I want to be able to control things and that's very difficult to do if you're not 100% in a particular language. It makes you uncertain and it makes you nervous.
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Of course, we avoid death. To know something is inevitable is one thing. To accept, to truly feel it... that's different.
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When you create a church, an institution, and you create a dogma. When you create an ideology, that's the danger. Communism, too, is a beautiful idea, but millions of people died when communism became an ideology.
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You become a film critic because you're interested in film. I don't know whether knowing so much about cinema leads you to make better films, but it certainly can't hurt.
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It's more enjoyable to shoot in a studio on a single location with two actors... if they are good.
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It's the duty of art to ask questions, not to provide answers. And if you want a clearer answer, I'll have to pass.
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A strict form such as mine cannot be achieved through improvisation.
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I'm interested in seeing films that confront me with new things, with films that make me question myself, with films that help me to reflect on subjects that I hadn't thought about before, films that help me progress and advance.
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