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I've never let producers tell me what to do. Even when I was making television, I always did what I wanted to do, and if I couldn't, I didn't do it. It was a freedom that, these days, young directors starting out don't have.
Michael Haneke
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Michael Haneke
Age: 82
Born: 1942
Born: March 23
Film Actor
Film Critic
Film Director
Screenwriter
Theatrical Director
University Teacher
Writer
München
Even
Television
Always
Days
Never
Freedom
Making
Tell
Producers
Didn
Starting
Young
Directors
Wanted
Couldn
More quotes by Michael Haneke
There are really two types of laughter on the part of the spectator. There is the laughter of recognition - which means seeing things you're familiar with and laughing at yourself. But there's also hysterical laughter - a way of dealing with the things we see that upset us.
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It's a fact that people who are in a weakened position, whether physically or mentally, have this perception of the outer world as threatening. Everything that is unexpected or unknown is seen as a potential danger.
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As a private person, professionally I am invisible.
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Film is simply the most complex way you can express yourself
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A feature film is twenty-four lies per second.
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That is one of the characteristics of fascism, the idea that the state can provide all of the answers for everyone.
Michael Haneke
Of course, we avoid death. To know something is inevitable is one thing. To accept, to truly feel it... that's different.
Michael Haneke
The dumber people are, the more they feel the need for a broad set of shoulders they can lay their head against.
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If you do an original film and you want to cut a scene out you do it. But when you do a shot by shot remake you don't have that option and every scene has to work again.
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What we're doing for another person is more important than what we're feeling for them.
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You cannot hurt animals, so what do I do? I kill the dog first. Then I do it with the boy. You're not supposed to break the illusion of this being a film, so I make the actor talk to the audience. Provocation is the principle of the whole film [ Funny Games]. It is very ironic.
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It's more enjoyable to shoot in a studio on a single location with two actors... if they are good.
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I consider all my films experiments.
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I'm not really a happy person. It's a question of temperament. I have a tendency toward melancholy. You can feel quite happily melancholic.
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I make my films because I'm affected by a situation, by something that makes me want to reflect on it, that lends itself to an artistic reflection. I always aim to look directly at what I'm dealing with. I think it's a task of dramatic art to confront us with things that in the entertainment industry are usually swept under the rug.
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I want to make it clear: it's not that I hate mainstream cinema. It's perfectly fine. There are a lot of people who need to escape, because they are in very difficult situations, so they have the right to escape from the world. But this has nothing to do with an art form.
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Of course there are many films about the period of Fascism itself but I don't know of any about that period beforehand. But it wasn't that specific fact that they weren't there that got me to think about this in the first place. It's not what led to the basic idea for the film, although it became apparent when I began to think about it.
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In German. I'm more sensitized to the details, to the emotions. In English, I wouldn't detect as much nuance.
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To decide to film a movie again shot by shot, you must be masochistic to a certain degree because it is a much greater challenge.
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Like every filmmaker, I make my films to reach the widest audience possible.
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