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Pornography, it seems to me, is no different from war films or propaganda films in that it tries to make the visceral, horrific, or transgressive elements of life consumable.
Michael Haneke
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Michael Haneke
Age: 82
Born: 1942
Born: March 23
Film Actor
Film Critic
Film Director
Screenwriter
Theatrical Director
University Teacher
Writer
München
Make
Propaganda
Life
Elements
Films
War
Transgressive
Film
Visceral
Seems
Horrific
Different
Pornography
Trying
Tries
More quotes by Michael Haneke
I'm not really a happy person. It's a question of temperament. I have a tendency toward melancholy. You can feel quite happily melancholic.
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At its best, film should be like a ski jump. It should give the viewer the option of taking flight, while the act of jumping is left up to him.
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It's a disease of critics that once they've labeled someone, it's very hard to change their perspective. It's laziness.
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It's the duty of art to ask questions, not to provide answers. And if you want a clearer answer, I'll have to pass.
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Films that are entertainments give simple answers but I think that's ultimately more cynical, as it denies the viewer room to think. If there are more answers at the end, then surely it is a richer experience.
Michael Haneke
I want to be able to control things and that's very difficult to do if you're not 100% in a particular language. It makes you uncertain and it makes you nervous.
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There are really two types of laughter on the part of the spectator. There is the laughter of recognition - which means seeing things you're familiar with and laughing at yourself. But there's also hysterical laughter - a way of dealing with the things we see that upset us.
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It became a gamble to myself whether I was able to do the exact same film [Funny Games]under very different circumstances.
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Even the most elitist director or author who claims that he doesn't care if his works are seen or not, then I have to think that he's either a liar or a hypocrite.
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That is one of the characteristics of fascism, the idea that the state can provide all of the answers for everyone.
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Because I'm the author of my screenplays I know what I'm looking for. It's true that I can be stubborn in demanding that I get what I want, but it's also a question of working with patience and love.
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It's more enjoyable to shoot in a studio on a single location with two actors... if they are good.
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As a private person, professionally I am invisible.
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I consider all my films experiments.
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And if there was one title that could be applied to all my films, it would be 'Civil War' - not civil war in the way we know it, but the daily war that goes on between us all.
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I've never let producers tell me what to do. Even when I was making television, I always did what I wanted to do, and if I couldn't, I didn't do it. It was a freedom that, these days, young directors starting out don't have.
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I love actors, both my parents were actors, and the work with actors is the most enjoyable part of making a film. It's important that they feel protected and are confident they won't be betrayed. When you create that atmosphere of trust, it's in the bag - the actors will do everything to satisfy you.
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Because in the feudal system of that period at least 80% of people lived in villages, so it's very simple to get a cross-section of society in a single village. You get the microcosm of the social macrocosm.
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If you go with the principle, you should go with the principle. If I really saw the subject very differently than ten years ago, I would have done a different movie.
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I think that religion is an integral part of human needs, but the question also is how you understand religion.
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