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At the Summer Exhibition, I didn't really change anything it's the same exhibition. All I changed is the presentation. I didn't really change the rules.
Michael Craig-Martin
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Michael Craig-Martin
Age: 83
Born: 1941
Born: August 28
Artist
Concept Artist
Drawer
Illustrator
Installation Artist
Painter
Printmaker
Sculptor
University Teacher
Dublin city
Michael Craig Martin
Michael Craig- Martin
Sir Michael Craig-Martin
Anything
Exhibition
Really
Exhibitions
Presentation
Rules
Summer
Changed
Didn
Change
More quotes by Michael Craig-Martin
In Britain the power of authority was weakened. There was much more individual freedom and there was great academic freedom.
Michael Craig-Martin
It's just that some things more important for this and less important for that, and this is true regardless the style of the art.
Michael Craig-Martin
You can take things from the past, from the culture, from the immediate past and things that have not yet entered the culture, so they have no history yet. You can create your own context.
Michael Craig-Martin
You can't honour someone by copying them or trying to be exactly like them.
Michael Craig-Martin
I had my exhibition of paintings first in Shanghai, and then recently in Wuhan. Wuhan particularly interested me, because I am 1/8 Chinese.
Michael Craig-Martin
In the studio, it took me a long time to work out how to make paintings that had the intensity that I was able to create by painting whole rooms. There is a very limited number of colours but there are many variations. I decided to use the purest palette that I could.
Michael Craig-Martin
For many years I hoped to have an exhibition in China, because of my family connection.
Michael Craig-Martin
There is a complete difference between art and the art market. Prices are high now for the simple reason that there are people are willing to pay them. The market dominates the art world today because at the moment collectors call the shots. Like everything else that won't last forever.
Michael Craig-Martin
I would never put a sculpture in front of a painting, so that it is difficult to see the painting. I always place each thing so you can see it isolated. You can focus on every individual work.
Michael Craig-Martin
If things are too similar, the dialogue is not very interesting. If you put in contrast, big and small, abstract and representational, you set up the possibility of a discourse.
Michael Craig-Martin
I wanted to make new works of very contemporary objects, which I thought was interesting because many of them are manufactured in China, but these objects are universal, they go across all languages, all cultures.
Michael Craig-Martin
I am personally happy for artists to make as much money as they can while they can to carry them through the times when they can't.
Michael Craig-Martin
I think from an artist's point of view, everything in art, in fact everything in the world is available as material.
Michael Craig-Martin
As an artist you are free to use any image, any style, any idea from any culture and any period of history.
Michael Craig-Martin
I was poorer than anyone I'd ever met. But it was a great time to be a young artist - I remember it as a period of exceptional creative freedom and adventure, when one was regularly presented with works of art unlike anything one had ever seen before.
Michael Craig-Martin
The person you admire was true to himself. You can only truly honour him by being true to yourself.
Michael Craig-Martin
There is no doubt when one comes from the West to China one understands pop art as having originally developed as part of Western tradition. There is a historical development, in which things find resonance in different places.
Michael Craig-Martin
When I look at the objects that I draw, it seems to me so obvious about the contemporary world - these are our world.
Michael Craig-Martin
[I] don't want people to see it [paintings] as a specific intention on my part. If somebody has that interest in these objects, of course they can see that, but from my own point of view, I'd rather stay as neutral as possible.
Michael Craig-Martin
I look at the character of the exhibition and I treat it as I would a painting or an installation. When I did the Summer Exhibition at Royal Academy, I did it exactly as I would when making a new work.
Michael Craig-Martin