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I would never put a sculpture in front of a painting, so that it is difficult to see the painting. I always place each thing so you can see it isolated. You can focus on every individual work.
Michael Craig-Martin
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Michael Craig-Martin
Age: 83
Born: 1941
Born: August 28
Artist
Concept Artist
Drawer
Illustrator
Installation Artist
Painter
Printmaker
Sculptor
University Teacher
Dublin city
Michael Craig Martin
Michael Craig- Martin
Sir Michael Craig-Martin
Difficult
Place
Sculpture
Thing
Isolated
Work
Fronts
Every
Front
Always
Painting
Never
Focus
Would
Individual
More quotes by Michael Craig-Martin
As an artist you are free to use any image, any style, any idea from any culture and any period of history.
Michael Craig-Martin
Whatever happens to the art world, art will go on regardless. As for obscurity, it looms just over the horizon beckoning us all. Why worry.
Michael Craig-Martin
The viewer brings all additional information to the image.
Michael Craig-Martin
It's important for me to give each thing the possibility to speak and also to allow artworks speak to each other.
Michael Craig-Martin
I've taken away everything I could think of, and yet what remains is enough. These days many more people come to my work, and once they see my work they will always recognize it.
Michael Craig-Martin
I think from an artist's point of view, everything in art, in fact everything in the world is available as material.
Michael Craig-Martin
I look at the character of the exhibition and I treat it as I would a painting or an installation. When I did the Summer Exhibition at Royal Academy, I did it exactly as I would when making a new work.
Michael Craig-Martin
In the late 70's I started to make drawings of the ordinary objects I had been using in my work. Initially I wanted them to be ready-made drawings of the kind of common objects I had always used in my work. I was surprised to discover I couldn't find the simple, neutral drawings I had assumed existed, so I started to make them myself.
Michael Craig-Martin
At the Summer Exhibition, I didn't really change anything it's the same exhibition. All I changed is the presentation. I didn't really change the rules.
Michael Craig-Martin
If things are too similar, the dialogue is not very interesting. If you put in contrast, big and small, abstract and representational, you set up the possibility of a discourse.
Michael Craig-Martin
[I] don't want people to see it [paintings] as a specific intention on my part. If somebody has that interest in these objects, of course they can see that, but from my own point of view, I'd rather stay as neutral as possible.
Michael Craig-Martin
I was poorer than anyone I'd ever met. But it was a great time to be a young artist - I remember it as a period of exceptional creative freedom and adventure, when one was regularly presented with works of art unlike anything one had ever seen before.
Michael Craig-Martin
You can take things from the past, from the culture, from the immediate past and things that have not yet entered the culture, so they have no history yet. You can create your own context.
Michael Craig-Martin
All the basic information should be in the object itself.
Michael Craig-Martin
My great grandmother was Chinese .
Michael Craig-Martin
Often people do not properly value things that they are good at naturally because they find them too easy. That is very problematic.
Michael Craig-Martin
I wanted to make new works of very contemporary objects, which I thought was interesting because many of them are manufactured in China, but these objects are universal, they go across all languages, all cultures.
Michael Craig-Martin
Art is more to do with observation than invention.
Michael Craig-Martin
In Britain the power of authority was weakened. There was much more individual freedom and there was great academic freedom.
Michael Craig-Martin
I think the best approach is not to be too much like the thing that they are referring to, see it as a guide.
Michael Craig-Martin
