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I would never put a sculpture in front of a painting, so that it is difficult to see the painting. I always place each thing so you can see it isolated. You can focus on every individual work.
Michael Craig-Martin
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Michael Craig-Martin
Age: 83
Born: 1941
Born: August 28
Artist
Concept Artist
Drawer
Illustrator
Installation Artist
Painter
Printmaker
Sculptor
University Teacher
Dublin city
Michael Craig Martin
Michael Craig- Martin
Sir Michael Craig-Martin
Every
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Always
Painting
Never
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Would
Individual
Difficult
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Sculpture
Thing
Isolated
Work
Fronts
More quotes by Michael Craig-Martin
If you were really interested in being creative in teaching, it was possible to try new methods and that was really what we did in Goldsmiths - we used the freedom of the time.
Michael Craig-Martin
I have never understood, for instance, why some people see contemporary art as divided between 'painting' and 'conceptual art', as though this represented a genuine division.
Michael Craig-Martin
I was poorer than anyone I'd ever met. But it was a great time to be a young artist - I remember it as a period of exceptional creative freedom and adventure, when one was regularly presented with works of art unlike anything one had ever seen before.
Michael Craig-Martin
If I did not love the things that I do, how could I spend my life doing this? You have to invest what you spend your life doing with pleasure.
Michael Craig-Martin
In the late 70's I started to make drawings of the ordinary objects I had been using in my work. Initially I wanted them to be ready-made drawings of the kind of common objects I had always used in my work. I was surprised to discover I couldn't find the simple, neutral drawings I had assumed existed, so I started to make them myself.
Michael Craig-Martin
I had been doing wall drawings, but they were always black and white. Then in 1993 I painted all the walls of a room to make an installation and as soon as I saw the colour on the walls, it changed my whole life.
Michael Craig-Martin
Often people do not properly value things that they are good at naturally because they find them too easy. That is very problematic.
Michael Craig-Martin
I think the best approach is not to be too much like the thing that they are referring to, see it as a guide.
Michael Craig-Martin
In Britain the power of authority was weakened. There was much more individual freedom and there was great academic freedom.
Michael Craig-Martin
There is a complete difference between art and the art market. Prices are high now for the simple reason that there are people are willing to pay them. The market dominates the art world today because at the moment collectors call the shots. Like everything else that won't last forever.
Michael Craig-Martin
Whatever happens to the art world, art will go on regardless. As for obscurity, it looms just over the horizon beckoning us all. Why worry.
Michael Craig-Martin
All the basic information should be in the object itself.
Michael Craig-Martin
I am trying to present objects in the simplest way possible, and I don't want to supply too much context.
Michael Craig-Martin
At the Summer Exhibition, I didn't really change anything it's the same exhibition. All I changed is the presentation. I didn't really change the rules.
Michael Craig-Martin
As an artist you are free to use any image, any style, any idea from any culture and any period of history.
Michael Craig-Martin
There is no doubt when one comes from the West to China one understands pop art as having originally developed as part of Western tradition. There is a historical development, in which things find resonance in different places.
Michael Craig-Martin
I had my exhibition of paintings first in Shanghai, and then recently in Wuhan. Wuhan particularly interested me, because I am 1/8 Chinese.
Michael Craig-Martin
When I look at the objects that I draw, it seems to me so obvious about the contemporary world - these are our world.
Michael Craig-Martin
I wanted to make new works of very contemporary objects, which I thought was interesting because many of them are manufactured in China, but these objects are universal, they go across all languages, all cultures.
Michael Craig-Martin
In the studio, it took me a long time to work out how to make paintings that had the intensity that I was able to create by painting whole rooms. There is a very limited number of colours but there are many variations. I decided to use the purest palette that I could.
Michael Craig-Martin
