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I've taken away everything I could think of, and yet what remains is enough. These days many more people come to my work, and once they see my work they will always recognize it.
Michael Craig-Martin
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Michael Craig-Martin
Age: 83
Born: 1941
Born: August 28
Artist
Concept Artist
Drawer
Illustrator
Installation Artist
Painter
Printmaker
Sculptor
University Teacher
Dublin city
Michael Craig Martin
Michael Craig- Martin
Sir Michael Craig-Martin
Many
Recognize
Work
Remains
Always
Days
Think
Taken
Thinking
Away
People
Everything
Come
Enough
More quotes by Michael Craig-Martin
In Britain the power of authority was weakened. There was much more individual freedom and there was great academic freedom.
Michael Craig-Martin
I look at the character of the exhibition and I treat it as I would a painting or an installation. When I did the Summer Exhibition at Royal Academy, I did it exactly as I would when making a new work.
Michael Craig-Martin
The art world, of all worlds, has room for everyone.
Michael Craig-Martin
I had my exhibition of paintings first in Shanghai, and then recently in Wuhan. Wuhan particularly interested me, because I am 1/8 Chinese.
Michael Craig-Martin
For many years I hoped to have an exhibition in China, because of my family connection.
Michael Craig-Martin
I was poorer than anyone I'd ever met. But it was a great time to be a young artist - I remember it as a period of exceptional creative freedom and adventure, when one was regularly presented with works of art unlike anything one had ever seen before.
Michael Craig-Martin
The viewer brings all additional information to the image.
Michael Craig-Martin
It's just that some things more important for this and less important for that, and this is true regardless the style of the art.
Michael Craig-Martin
There is no doubt when one comes from the West to China one understands pop art as having originally developed as part of Western tradition. There is a historical development, in which things find resonance in different places.
Michael Craig-Martin
I think the best approach is not to be too much like the thing that they are referring to, see it as a guide.
Michael Craig-Martin
You can't honour someone by copying them or trying to be exactly like them.
Michael Craig-Martin
In the late 70's I started to make drawings of the ordinary objects I had been using in my work. Initially I wanted them to be ready-made drawings of the kind of common objects I had always used in my work. I was surprised to discover I couldn't find the simple, neutral drawings I had assumed existed, so I started to make them myself.
Michael Craig-Martin
If things are too similar, the dialogue is not very interesting. If you put in contrast, big and small, abstract and representational, you set up the possibility of a discourse.
Michael Craig-Martin
I am trying to present objects in the simplest way possible, and I don't want to supply too much context.
Michael Craig-Martin
Whatever happens to the art world, art will go on regardless. As for obscurity, it looms just over the horizon beckoning us all. Why worry.
Michael Craig-Martin
Often people do not properly value things that they are good at naturally because they find them too easy. That is very problematic.
Michael Craig-Martin
You can take things from the past, from the culture, from the immediate past and things that have not yet entered the culture, so they have no history yet. You can create your own context.
Michael Craig-Martin
It's important for me to give each thing the possibility to speak and also to allow artworks speak to each other.
Michael Craig-Martin
When I look at the objects that I draw, it seems to me so obvious about the contemporary world - these are our world.
Michael Craig-Martin
Usually when I go to the Summer Exhibition, I think every room is too much the same, and I loose my capacity to look at individual works.
Michael Craig-Martin
