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If you were really interested in being creative in teaching, it was possible to try new methods and that was really what we did in Goldsmiths - we used the freedom of the time.
Michael Craig-Martin
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Michael Craig-Martin
Age: 83
Born: 1941
Born: August 28
Artist
Concept Artist
Drawer
Illustrator
Installation Artist
Painter
Printmaker
Sculptor
University Teacher
Dublin city
Michael Craig Martin
Michael Craig- Martin
Sir Michael Craig-Martin
Time
Interested
Teaching
Creative
Possible
Freedom
Used
Trying
Methods
Really
Method
More quotes by Michael Craig-Martin
You can't honour someone by copying them or trying to be exactly like them.
Michael Craig-Martin
Often people do not properly value things that they are good at naturally because they find them too easy. That is very problematic.
Michael Craig-Martin
If things are too similar, the dialogue is not very interesting. If you put in contrast, big and small, abstract and representational, you set up the possibility of a discourse.
Michael Craig-Martin
In the studio, it took me a long time to work out how to make paintings that had the intensity that I was able to create by painting whole rooms. There is a very limited number of colours but there are many variations. I decided to use the purest palette that I could.
Michael Craig-Martin
It's just that some things more important for this and less important for that, and this is true regardless the style of the art.
Michael Craig-Martin
The person you admire was true to himself. You can only truly honour him by being true to yourself.
Michael Craig-Martin
I've taken away everything I could think of, and yet what remains is enough. These days many more people come to my work, and once they see my work they will always recognize it.
Michael Craig-Martin
I look at the character of the exhibition and I treat it as I would a painting or an installation. When I did the Summer Exhibition at Royal Academy, I did it exactly as I would when making a new work.
Michael Craig-Martin
I wanted to make new works of very contemporary objects, which I thought was interesting because many of them are manufactured in China, but these objects are universal, they go across all languages, all cultures.
Michael Craig-Martin
Whatever happens to the art world, art will go on regardless. As for obscurity, it looms just over the horizon beckoning us all. Why worry.
Michael Craig-Martin
There is a complete difference between art and the art market. Prices are high now for the simple reason that there are people are willing to pay them. The market dominates the art world today because at the moment collectors call the shots. Like everything else that won't last forever.
Michael Craig-Martin
In the late 70's I started to make drawings of the ordinary objects I had been using in my work. Initially I wanted them to be ready-made drawings of the kind of common objects I had always used in my work. I was surprised to discover I couldn't find the simple, neutral drawings I had assumed existed, so I started to make them myself.
Michael Craig-Martin
At the Summer Exhibition, I didn't really change anything it's the same exhibition. All I changed is the presentation. I didn't really change the rules.
Michael Craig-Martin
I was poorer than anyone I'd ever met. But it was a great time to be a young artist - I remember it as a period of exceptional creative freedom and adventure, when one was regularly presented with works of art unlike anything one had ever seen before.
Michael Craig-Martin
I think from an artist's point of view, everything in art, in fact everything in the world is available as material.
Michael Craig-Martin
There is no doubt when one comes from the West to China one understands pop art as having originally developed as part of Western tradition. There is a historical development, in which things find resonance in different places.
Michael Craig-Martin
My idea for every exhibition is we should be able to see every individual work without being distracted by the others, and it doesn't matter if it's quite crowded.
Michael Craig-Martin
I am trying to present objects in the simplest way possible, and I don't want to supply too much context.
Michael Craig-Martin
'Understanding' art is like having a sense of humour - if you don't have one, no amount of explanation is going to make you laugh.
Michael Craig-Martin
You can take things from the past, from the culture, from the immediate past and things that have not yet entered the culture, so they have no history yet. You can create your own context.
Michael Craig-Martin