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For many years I hoped to have an exhibition in China, because of my family connection.
Michael Craig-Martin
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Michael Craig-Martin
Age: 83
Born: 1941
Born: August 28
Artist
Concept Artist
Drawer
Illustrator
Installation Artist
Painter
Printmaker
Sculptor
University Teacher
Dublin city
Michael Craig Martin
Michael Craig- Martin
Sir Michael Craig-Martin
Exhibitions
Hoped
Connection
Connections
China
Family
Many
Years
Exhibition
More quotes by Michael Craig-Martin
[I] don't want people to see it [paintings] as a specific intention on my part. If somebody has that interest in these objects, of course they can see that, but from my own point of view, I'd rather stay as neutral as possible.
Michael Craig-Martin
In the studio, it took me a long time to work out how to make paintings that had the intensity that I was able to create by painting whole rooms. There is a very limited number of colours but there are many variations. I decided to use the purest palette that I could.
Michael Craig-Martin
I've taken away everything I could think of, and yet what remains is enough. These days many more people come to my work, and once they see my work they will always recognize it.
Michael Craig-Martin
The art world, of all worlds, has room for everyone.
Michael Craig-Martin
Whatever happens to the art world, art will go on regardless. As for obscurity, it looms just over the horizon beckoning us all. Why worry.
Michael Craig-Martin
I was poorer than anyone I'd ever met. But it was a great time to be a young artist - I remember it as a period of exceptional creative freedom and adventure, when one was regularly presented with works of art unlike anything one had ever seen before.
Michael Craig-Martin
There is no doubt when one comes from the West to China one understands pop art as having originally developed as part of Western tradition. There is a historical development, in which things find resonance in different places.
Michael Craig-Martin
If you were really interested in being creative in teaching, it was possible to try new methods and that was really what we did in Goldsmiths - we used the freedom of the time.
Michael Craig-Martin
My idea for every exhibition is we should be able to see every individual work without being distracted by the others, and it doesn't matter if it's quite crowded.
Michael Craig-Martin
Often people do not properly value things that they are good at naturally because they find them too easy. That is very problematic.
Michael Craig-Martin
Usually when I go to the Summer Exhibition, I think every room is too much the same, and I loose my capacity to look at individual works.
Michael Craig-Martin
If things are too similar, the dialogue is not very interesting. If you put in contrast, big and small, abstract and representational, you set up the possibility of a discourse.
Michael Craig-Martin
I had been doing wall drawings, but they were always black and white. Then in 1993 I painted all the walls of a room to make an installation and as soon as I saw the colour on the walls, it changed my whole life.
Michael Craig-Martin
Today, in British education, we don't have that kind of freedom. Now there are many regulations, many rules, and bureaucracies in the education system. So, it doesn't have the flexibility that it had in the '60s, '70s, '80s.
Michael Craig-Martin
It's just that some things more important for this and less important for that, and this is true regardless the style of the art.
Michael Craig-Martin
The person you admire was true to himself. You can only truly honour him by being true to yourself.
Michael Craig-Martin
It's important for me to give each thing the possibility to speak and also to allow artworks speak to each other.
Michael Craig-Martin
At the Summer Exhibition, I didn't really change anything it's the same exhibition. All I changed is the presentation. I didn't really change the rules.
Michael Craig-Martin
I look at the character of the exhibition and I treat it as I would a painting or an installation. When I did the Summer Exhibition at Royal Academy, I did it exactly as I would when making a new work.
Michael Craig-Martin
When I look at the objects that I draw, it seems to me so obvious about the contemporary world - these are our world.
Michael Craig-Martin