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...it is how a person goes about quenching his desires or living with them unrequited that the readers get a glimpse of his true character.
Michael Connelly
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Michael Connelly
Age: 68
Born: 1956
Born: July 21
Actor
Author
Chronicler
Crime Writer
Film Producer
Journalist
Novelist
Screenwriter
Television Producer
Writer
Philadelphia
Pennsylvania
Michael Joseph Connelly
Desire
Living
Quenching
True
Unrequited
Character
Glimpse
Persons
Readers
Person
Desires
Reader
Goes
More quotes by Michael Connelly
I'm always looking at ways of shaking up the writing experience because I think it helps.
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What is jealousy but a reflection of your own failures?
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You know what I did after I wrote my first novel? I shut up and wrote twenty-three more.
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How I work is that I write a story I'd like to read. Then you fly to Paris or Sydney and the interviewers talk about the greater significance of your work.
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Everybody counts or nobody counts
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I'm a pretty harsh critic when it comes to my own stuff or things that come from my work.
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I'm a disciple of Raymond Chandler, who said in his essays that there's a quality of redemption in anything that can be called art.
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Any writer would rather dig into character than dig into fancy plots.
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There is no client as scary as an innocent man.
Michael Connelly
As a reporter, you develop an ear for dialogue because it's your job to capture it accurately.
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Don't go growing a conscience on me, I said. I've been down that road. It doesn't lead you to anything good.
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A newspaper is the center of a community, it's one of the tent poles of the community, and that's not going to be replaced by Web sites and blogs.
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Las Vegas was like that. There was a visceral attraction here. The bold promise of money and sex. But the first was a broken promise, a mirage, and the second was fraught with danger, expense, physical and mental risk. It was where the real gambling took place in this town.
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I went into journalism to learn the craft of writing and to get close to the world I wanted to write about - police and criminals, the criminal justice system.
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Now I'm writing about contemporary Los Angeles from memory. My process was to hang out, observe, research what I was writing about, and almost immediately go back to my office and write those sections. So it was a very close transfer between observation and writing.
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I've sold 11 of my books to Hollywood. There are all kinds of my books on shelves in Hollywood because the scripts didn't capture the characters.
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Momentum was momentum, whether you found it in music or on the street or in the beat of your own heart.
Michael Connelly
I think books with weak or translucent plots can survive if the character being drawn along the path is rich, interesting and multi-faceted. The opposite is not true.
Michael Connelly
I'm going to have to be impressed and feel confident in the people I'm handing a book to - or I'm not going to do it. Once you hand it to them, you're out. You have no control over it.
Michael Connelly
I feel I'm functioning at some level as a journalist because even though I write fiction, I'm trying to get the world accurate.
Michael Connelly