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With patience and calm, persistence and stoicism, good handwriting and careful labeling, they would meet persecution, indignity, and hardship head-on.

Michael Chabon

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Michael Chabon
Age: 61
Born: 1963
Born: May 24
Author
Columnist
Essayist
Novelist
Science Fiction Writer
Screenwriter
Television Producer
Writer
Washington
District of Columbia
Leon Chaim Bach
Malachi B. Cohen
August Van Zorn
Good
Persecution
Would
Hardship
Persistence
Patience
Calm
Stoicism
Careful
Indignity
Meet
Labeling
Head
Handwriting

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Take care-there is no force more powerful than that of an unbridled imagination.
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I said, “I need to hear something that’s going to save my life.” Re: Selecting songs from a jukebox.
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Drunk, Jane spoke as though she were Nancy Drew. I was a fool for a girl with a dainty lexicon.
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Jerome Charyn is one of the most important writers in American literature and one of only three now writing whose work makes me truly happy to be a reader.
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We have the idea that our hearts, once broken, scar over with an indestructible tissue that prevents their ever breaking again in quite the same place.
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He was a fugitive, lurking soul, James Leer. He didn't belong anywhere, but things went much better for him in places where nobody belonged.
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There's nothing more embarrassing than to have earned the disfavor of a perceptive animal.
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That evening I rode downtown on an unaccountably empty bus, sitting in the last row. At the front I saw a thin cloud of smoke rising around the driver’s head. ‘Hey, bus driver,’ I said. ‘Can I smoke?’ ‘May I,’ said the bus driver. ‘I love you,’ I said.
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Novelist time is reptile time novelists tend to be ruminant and brooding, nursers of ancient grievances, second-guessers, Tuesday afternoon quarterbacks, retrospectators, endlessly, like slumping hitters, studying the film of their old whiffs.
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I’m a man who falls in love so easily, and with such reckless lack of consideration for the consequences of my actions, that from the very first instant of entering into a marriage I become, almost by definition, an adulterer.
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A story begins with this nebulous feeling that’s hard to get a hold of and you’re testing your feelings and assumptions, testing what you believe. They end up turning into keepsakes and mementos –like amber in which a memory gets trapped.
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To me, Clark Kent in a phone booth and Houdini in a packing crate, they were one and the same thing, he would learnedly expound at WonderCon or Angoulême or to the editor of The Comics Journal . You weren't the same person when you came out as when you went in.
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He had no idea of how long his life would one day seem to have gone on how daily present the absence of love would come to feel. “Just watch me,” he said.
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I have a deadline. I'm glad. I think that will help me get it done.
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Bina, thank you. Bina, listen, this guy. His name wasn't Lasker. This guy-' She puts a hand to his mouth. She has not touched him in three years. It probably would be too much to say that he feels the darkness lift at the touch of her fingertips against his lips. But it shivers, and light bleeds in among the cracks.
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What's going to be hard for me is to try to divorce myself as much as possible from what I wrote. I'll have to approach it simply as raw material and try to craft a film script out of it.
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Not only would I never want to belong to any club that would have me for a member--if elected I would wear street shoes onto the squash court and set fire to the ballroom curtains.
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All the preparation in the world doesn't avail you if you can't make that imaginative leap and put yourself in the position of the characters you've created, to imagine what it's like to be somebody else.
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She was a natural blonde, with delicate hands and feet, and in her youthful photographs one saw a girl with mocking eyes and a tragic smile, the course of whose life would conspire in time to transpose that pair of adjectives.
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I don't do a lot of foisting, because when it comes to books I don't really like to be foisted upon.
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