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Drunk, Jane spoke as though she were Nancy Drew. I was a fool for a girl with a dainty lexicon.

Michael Chabon

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Michael Chabon
Age: 61
Born: 1963
Born: May 24
Author
Columnist
Essayist
Novelist
Science Fiction Writer
Screenwriter
Television Producer
Writer
Washington
District of Columbia
Leon Chaim Bach
Malachi B. Cohen
August Van Zorn
Drew
Jane
Spokes
Spoke
Drunk
Fool
Lexicon
Though
Dainty
Girl
Nancy

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Art is a form of exploration, of sailing off into the unknown alone, heading for those unmarked places on the map. If children are not permitted-not taught-to be adventurers and explorers as children, what will become of the world of adventure, of stories, of literature itself?
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Childhood is a branch of cartography.
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I’m a man who falls in love so easily, and with such reckless lack of consideration for the consequences of my actions, that from the very first instant of entering into a marriage I become, almost by definition, an adulterer.
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Every Messiah fails, the moment he tries to redeem himself.
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Fathering imposed an obligation that was more than your money, your body, or your time, a presence neither physical nor measurable by clocks: open-ended, eternal, and invisible, like the commitment of gravity to the stars.
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I suppose there is something appealing about a word that everyone uses with absolute confidence but on whose exact meaning no two people can agree. The word that I'm thinking of right now is genre, one of those French words, like crêpe, that no one can pronounce both correctly and without sounding pretentious.
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The two dozen commonplace childhood photographs - snowsuit, pony, tennis racket, looming fender of a Dodge - were an inexhaustible source of wonder for him, at her having existed before he met her, and of sadness for his possessing nothing of the ten million minutes of that black-and-white scallop-edged existence save these few proofs.
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He had no idea of how long his life would one day seem to have gone on how daily present the absence of love would come to feel. “Just watch me,” he said.
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... But he believed that every great love was in some measure a terrible mistake.
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In later years, holding forth to an interviewer or to an audience of aging fans at a comic book convention, Sam Clay liked to declare, apropos of his and Joe Kavalier's greatest creation, that back when he was a boy, sealed and hog-tied inside the airtight vessel known as Brooklyn, New York, he had been haunted by dreams of Harry Houdini.
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I was thinking, too, of Superman and his fortress of solitude.
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In the immemorial style of young men under pressure, they decided to lie down for a while and waste time.
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The things I keep going back to, rereading, maybe they say more about me as a reader than about the books. Love in the Time of Cholera, Pale Fire.
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I have a deadline. I'm glad. I think that will help me get it done.
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I wanted to give readers the feeling of knowing the characters, a mental image.
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What's going to be hard for me is to try to divorce myself as much as possible from what I wrote. I'll have to approach it simply as raw material and try to craft a film script out of it.
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Every golden age is as much a matter of disregard as of felicity.
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Man makes plans . . . and God laughs.
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. . .I really ought to have recognized it for what it was and, perhaps, to have stopped right there - for it was nostalgia, and what inspires nostalgia has been dead a long time
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So it was scary, but that's how it goes. To my great delight, I discovered that it did all belong.
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