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Most science fiction seemed to be written for people who already liked science fiction I wanted to write stories for anyone, anywhere, living at any time in the history of the world.

Michael Chabon

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Michael Chabon
Age: 61
Born: 1963
Born: May 24
Author
Columnist
Essayist
Novelist
Science Fiction Writer
Screenwriter
Television Producer
Writer
Washington
District of Columbia
Leon Chaim Bach
Malachi B. Cohen
August Van Zorn
World
Living
People
History
Anywhere
Science
Liked
Write
Seemed
Stories
Fiction
Wanted
Already
Writing
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Anyone

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I’m a man who falls in love so easily, and with such reckless lack of consideration for the consequences of my actions, that from the very first instant of entering into a marriage I become, almost by definition, an adulterer.
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It was nice standing out in the darkness, in the damp grass, with spring coming on and a feeling in my heart of imminent disaster.
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If children are not permitted-not taught-to be adventurers and explorers as children, what will become of the world...?
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Novelist time is reptile time novelists tend to be ruminant and brooding, nursers of ancient grievances, second-guessers, Tuesday afternoon quarterbacks, retrospectators, endlessly, like slumping hitters, studying the film of their old whiffs.
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Fathering imposed an obligation that was more than your money, your body, or your time, a presence neither physical nor measurable by clocks: open-ended, eternal, and invisible, like the commitment of gravity to the stars.
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When I'm writing solitude feels very good. But when I'm not writing it feels lonely... Having a big family solves that problem.
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I was surprised that my wife thought it was a good idea, then again with my agent, another woman, then my editor, another woman - in spite of the fact that all three of them reacted positively I still have this fear.
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In the immemorial style of young men under pressure, they decided to lie down for a while and waste time.
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Jerome Charyn is one of the most important writers in American literature and one of only three now writing whose work makes me truly happy to be a reader.
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Every Messiah fails, the moment he tries to redeem himself.
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Art is a form of exploration, of sailing off into the unknown alone, heading for those unmarked places on the map. If children are not permitted-not taught-to be adventurers and explorers as children, what will become of the world of adventure, of stories, of literature itself?
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Only love could pick a nested pair of steel Bramah locks.
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We have the idea that our hearts, once broken, scar over with an indestructible tissue that prevents their ever breaking again in quite the same place.
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The things I keep going back to, rereading, maybe they say more about me as a reader than about the books. Love in the Time of Cholera, Pale Fire.
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In later years, holding forth to an interviewer or to an audience of aging fans at a comic book convention, Sam Clay liked to declare, apropos of his and Joe Kavalier's greatest creation, that back when he was a boy, sealed and hog-tied inside the airtight vessel known as Brooklyn, New York, he had been haunted by dreams of Harry Houdini.
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There was something unmistakably exultant about the mess that Rosa had made. Her bedroom-studio was at once the canvas, journal, museum, and midden of her life. She did not “decorate” it she infused it.
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I wanted to give readers the feeling of knowing the characters, a mental image.
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Every generation loses the Messiah it has failed to deserve.
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Childhood is a branch of cartography.
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[Comics] were viewed as the literary equivalent of bubblegum cards, meant to be poked into the spokes of a young mind where they would produce a satisfying but entirely bogus rumble of pleasure.
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