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That's the best thing about writing, when you're in that zone, you're porous, ready to absorb the solution.

Michael Chabon

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Michael Chabon
Age: 61
Born: 1963
Born: May 24
Author
Columnist
Essayist
Novelist
Science Fiction Writer
Screenwriter
Television Producer
Writer
Washington
District of Columbia
Leon Chaim Bach
Malachi B. Cohen
August Van Zorn
Zone
Solution
Solutions
Ready
Best
Writing
Porous
Thing
Idaho
Absorb

More quotes by Michael Chabon

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I thought, I fanced, that in a moment, I would be standing on nothing at all, and for the first time in my life, I needed the wings none of us has.
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Every Messiah fails, the moment he tries to redeem himself.
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Jerome Charyn is one of the most important writers in American literature and one of only three now writing whose work makes me truly happy to be a reader.
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I suppose there is something appealing about a word that everyone uses with absolute confidence but on whose exact meaning no two people can agree. The word that I'm thinking of right now is genre, one of those French words, like crêpe, that no one can pronounce both correctly and without sounding pretentious.
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All novels are sequels influence is bliss.
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So it was scary, but that's how it goes. To my great delight, I discovered that it did all belong.
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Forget about what you are escaping from. Reserve your anxiety for what you are escaping to.
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And then the man reminded Max, with a serious but suave and practiced air, that freedom was a debt that could be repaid only by purchasing the freedom of others.
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We have the idea that our hearts, once broken, scar over with an indestructible tissue that prevents their ever breaking again in quite the same place.
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I knew that I shouldn’t have, but I did it all the same and there you have my epitaph, or one of them, because my grave is going to require a monument inscribed on all four sides with rueful mottoes, in small characters, set close together.
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Nothing is boring exept to people who aren't really paying attention.
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That evening I rode downtown on an unaccountably empty bus, sitting in the last row. At the front I saw a thin cloud of smoke rising around the driver’s head. ‘Hey, bus driver,’ I said. ‘Can I smoke?’ ‘May I,’ said the bus driver. ‘I love you,’ I said.
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To me, Clark Kent in a phone booth and Houdini in a packing crate, they were one and the same thing, he would learnedly expound at WonderCon or Angoulême or to the editor of The Comics Journal . You weren't the same person when you came out as when you went in.
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With patience and calm, persistence and stoicism, good handwriting and careful labeling, they would meet persecution, indignity, and hardship head-on.
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He had no idea of how long his life would one day seem to have gone on how daily present the absence of love would come to feel. “Just watch me,” he said.
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There's nothing more embarrassing than to have earned the disfavor of a perceptive animal.
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When I'm writing solitude feels very good. But when I'm not writing it feels lonely... Having a big family solves that problem.
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The things I keep going back to, rereading, maybe they say more about me as a reader than about the books. Love in the Time of Cholera, Pale Fire.
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Every universe, our own included, begins in conversation. Every golem in the history of the world, from Rabbi Hanina's delectable goat to the river-clay Frankenstein of Rabbi Judah Loew ben Bezalel, was summoned into existence through language, through murmuring, recital, and kabbalistic chitchat -- was, literally, talked into life.
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I'm never going to be a Tom Clancy. And I wouldn't really want to be - not that I have anything against him, and I wish him continued success - because that's not why I'm writing novels. I'm doing it because I have to. I feel like I have to, anyway.
Michael Chabon