As I'm getting older, I'm moving away from calculations and measurement. I'm trying to be more open to vulnerability and mistakes.

Every time I work on a project, I keep every little piece of paper.

I carry a knife with me so I can cut images out of cardboard boxes. I'm always cutting cardboard. Especially every Thursday, which is recycling day.

I have a lifetime project which consists of boxes and boxes filled with envelopes on which people have written my name. I've always thought of it as a kind of double portrait, and a portrait of our relationship, which in some cases means nothing. But it makes me feel connected.

Maybe I don't think I'm touching people, but I am. Sometimes I'm sitting there at three in the morning, proofreading something, and I'm thinking, Is this really worth it? Or am I doing this only because my mother taught me never to give up? Then you realize, no, even if it doesn't come back to you, you are touching people.

Sometimes being an artist is a real drag. It can be incredibly bureaucratic.

I like well-made clothes, and I don't mind spending a lot of money on something that looks super, super simple. I don't like knockoffs.

It's nice to make a project where you can show the full breadth of who you are.