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My background is Scottish.

I'm very focused when I'm making a movie, but I'm also a fantastic multitasker.

I think Australians do well here because we feel a bit naughty, like we're in America and if they only knew how much fun we were having, we'd all get thrown out, you know.

You never know what you're in for when you take a role. When you're reading the script, you're in some café in New York and you're loving life and it sounds great because it's like reading a book. When you step into that book and you actually have to play it out, for real, it's a totally different ball game.

Everytime I get offered theatre I get offered a film role too.

You've got to pick your roles really carefully. It's a lot more fun to play a layered woman, than just someone where what you see is what you get, by far.

The great thing about film is you start and finish. It's a journey that lasts so long, TV lasts a long time.

I love being in London because it means I am breathing the same air as the Queen.

When you get the role, it's 'cause you know exactly how to play it, and they know that the way you're playing it is exactly what they want. I never go with a role and say that I need to change anything about it. Otherwise, I wouldn't take it.

From about eight years old I was always making things on the sewing machine. Friends would see me making dresses and costumes, and I'd use difficult fabrics such as Lycra and elastic. But you know, my dad was creative and my brother is inventive too.

I'd like to work with David Lynch again.