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Our lives are a long series of acquiring and then sloughing narratives.
Melissa Febos
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Melissa Febos
Age: 44
Born: 1980
Born: September 28
Journalist
Writer
Long
Narratives
Acquiring
Narrative
Series
Lives
More quotes by Melissa Febos
Letting go of the cozy stories you've been carrying around is devastating. But there's more room for new stuff after you do it.
Melissa Febos
Fiction stymies me with its possibility. I can't see the bottom and I freeze, cling to the side, or just choke. In nonfiction, particularly that which takes personal narrative for its primary topic, I have a finite space and a finite amount of material. I can't fabricate material, I can only shape and burrow into it.
Melissa Febos
I am secretive. Always have been. And one way that secrecy manifested in my early life was that I was adept at juggling multiple social realities: I could get by no problem in many social arenas (including that of high school), but also felt alienated and totally uninspired by everything that happened there.
Melissa Febos
I'm always writing to a younger version of myself, or a young woman who is like I was. I want that girl to know that I really existed and that it all went down that way.
Melissa Febos
All our stories are part invention - the way we've decided to make sense of what has happened.
Melissa Febos
You can turn off the song the way you cannot the actual experience.
Melissa Febos
Abandonment by a lover won't kill us. But it awakens the parts of us that remember when it could.
Melissa Febos
I think that's the job of the writer, right? Not to introduce new ideas or feelings, but to name the ones we know most intimately but are afraid of speaking, or don't have the words. That's what I find most powerful anyway.
Melissa Febos
I could not kick heroin to save my life, literally, until I started telling my secrets. It was some of the clearest evidence I've ever found of anything. It was the only immediate change in behavior I've ever undergone. I told the most frightening truths, and I was free.
Melissa Febos
Anyone who makes a life of what they love is a hero to me, and it's important for those people to be visible in every kind of life, every kind of love, every kind of work.
Melissa Febos
I do believe that we all have these stories inside of us, these scars that we compulsive worry as we do wounds, and that drive for redemption, to change the story or resolve it, governs a lot of what we do in love. We are irresistibly drawn to opportunities to reenact those traumas out of a desire to heal, not to punish ourselves.
Melissa Febos
The frustration of being marginalized often gets misdirected at the most visible members of one's own community, because they are more accessible than the real agents of marginalization.
Melissa Febos
I always wished I could go to confession. I was so full of things I couldn't name and had an instinct to hide. I felt burdened by the loneliness of my interior life. I wanted some container that I could empty myself into, some ear that would never be shocked, even if it offered me some kind of penance.
Melissa Febos
The story of the memoir is a story of me creating certain narratives so that I could live with my own experience and with the uneasy relationship between what I was doing and what I believed in - or what I saw as an uneasy relationship between those two things.
Melissa Febos
I tell my students all the time is, for better or worse, no publisher is going to come wrench your story out of your hands before you're ready to let it go. You will have time to take stuff out. You don't have to show it to anybody. That's what I did.
Melissa Febos
The craft work becomes a mediator between me and my secrets, between me and the listener.
Melissa Febos
I see consensual S&M no differently than I see consensual anything: as beautiful, and never any one thing.
Melissa Febos
New York at night, from its bridges, is a miracle. When I first came to the city, it took all my fantasies and set them on fire, turned them into flickering constellations of light.
Melissa Febos
We often think that bad relationships are motivating by self-loathing or a wish for self-destruction, but I think that loving people who hurt us is more tied to a profound and earnest wish to soothe ourselves and recover from older hurts. And I've also found that having empathy for that urge is the best way to move through it, and beyond it.
Melissa Febos
Children's stories force logic upon the gruesome facts of our lives. They mirror our troubles and submit them to a chain of causality.
Melissa Febos