Share
×
Inspirational Quotes
Authors
Professions
Topics
Tags
Quote
The frustration of being marginalized often gets misdirected at the most visible members of one's own community, because they are more accessible than the real agents of marginalization.
Melissa Febos
Share
Change background
T
T
T
Change font
Original
TAGS & TOPICS
Melissa Febos
Age: 44
Born: 1980
Born: September 28
Journalist
Writer
Visible
Members
Gets
Community
Misdirected
Often
Marginalized
Real
Accessible
Frustration
Agents
More quotes by Melissa Febos
All our stories are part invention - the way we've decided to make sense of what has happened.
Melissa Febos
Anyone who makes a life of what they love is a hero to me, and it's important for those people to be visible in every kind of life, every kind of love, every kind of work.
Melissa Febos
Our lives are a long series of acquiring and then sloughing narratives.
Melissa Febos
I have replaced my instinct for secrecy with an instinct for confession.
Melissa Febos
You can turn off the song the way you cannot the actual experience.
Melissa Febos
The other reason I didn't want to fictionalize it is because one of the main points of publishing a memoir in nonfiction was that I wanted to write about what had been a very lonely experience. The books that most saved my life as a kid were the ones that articulated lonely experiences that I had thought were mine alone.
Melissa Febos
I tell my students all the time is, for better or worse, no publisher is going to come wrench your story out of your hands before you're ready to let it go. You will have time to take stuff out. You don't have to show it to anybody. That's what I did.
Melissa Febos
I have always trusted writers, books, thinkers, psychologists in figuring things out. Maybe because they don't know me, so they are always honest, if that makes sense. Their wisdom and counsel are always unconditional.
Melissa Febos
I could not kick heroin to save my life, literally, until I started telling my secrets. It was some of the clearest evidence I've ever found of anything. It was the only immediate change in behavior I've ever undergone. I told the most frightening truths, and I was free.
Melissa Febos
I can still discern people's weaknesses, but it doesn't make me want to exploit them it makes me want to hug them.
Melissa Febos
I see consensual S&M no differently than I see consensual anything: as beautiful, and never any one thing.
Melissa Febos
Abandonment by a lover won't kill us. But it awakens the parts of us that remember when it could.
Melissa Febos
Children's stories force logic upon the gruesome facts of our lives. They mirror our troubles and submit them to a chain of causality.
Melissa Febos
I do believe that we all have these stories inside of us, these scars that we compulsive worry as we do wounds, and that drive for redemption, to change the story or resolve it, governs a lot of what we do in love. We are irresistibly drawn to opportunities to reenact those traumas out of a desire to heal, not to punish ourselves.
Melissa Febos
Being celibate was so wonderful. It taught me a lot about love, but even more about my own self outside of love. I'd never met myself out of love before, really.
Melissa Febos
Letting go of the cozy stories you've been carrying around is devastating. But there's more room for new stuff after you do it.
Melissa Febos
Music isn't seeking to comment on the experience or transmit some finding about it - it is only seeking to express it. The vicarious experience is much more accessible. We all recognize the sound of that howling, because we all have a similar howling inside of us, however we heed it or hold it or muzzle it or repress it or live in bondage to it.
Melissa Febos
Most of the smart things I've ever thought or written came vis-a-vis my body.
Melissa Febos
I am secretive. Always have been. And one way that secrecy manifested in my early life was that I was adept at juggling multiple social realities: I could get by no problem in many social arenas (including that of high school), but also felt alienated and totally uninspired by everything that happened there.
Melissa Febos
When I was in college I started writing prose, because a very smart professor asked me what I like to read and I said, Novels, and she said, You should be writing them then. Memoir never even occurred to me. I think I was afraid of nonfiction and I was afraid of navel-gazing, and of being seen.
Melissa Febos