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I'm too rich to care what the critics say.

Mel Gibson

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Mel Gibson
Age: 68
Born: 1956
Born: January 3
Actor
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Television Producer
Voice Actor
Writer
Peekskill
New York
Mel Columcille Gerard Gibson
Critics
Rich
Care

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You know what happens when you don't take a risk? Nothing.
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I tell you what really turns my toes up: love scenes with 68-year-old men and actresses young enough to be their granddaughter.
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I rarely lose my temper anymore.
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That's like asking you to pick your favorite child... I do however, think Bird on a Wire was one of my finest works. Oscar caliber.
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It's great that after 700 years William Wallace has finally had a proper burial. He did so much for the country. You should be proud of what you have achieved through devolution.
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I'm not a preacher and I'm not a pastor. But I really feel my career was leading me to make this. The Holy Ghost was working through me on this film, and I was just directing traffic. I hope the film has the power to evangelize.
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Life is life, and one has experiences that are painful and some that are very pleasant, and one has reward and sacrifice and more reward and disappointment and joy and happiness, and it's always going to be the same.
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Time helps a lot. I found the fame thing really was a torment for a while. Then you learn to deal with it.
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I was known for being a bit of a clown. I remember my dad got me aside and said, Just remember, everybody likes a clown, but nobody pays him. I've often been tempted to call him and say, Remember how you told me...? Yeah? Yes, they do.
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I don't think the audience always listens to the critics. That's been proven time and time again.
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It's said that I went into a rant, but I think it went on for about five words. I was drunk. It just turned into a big thing. I apologized profusely - not once but three times. So what's the problem? It's four years ago. Do I need to apologize again?
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I think everything is pretty well preordained - even your mistakes.
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The Holy Ghost was working through me on this film, and I was just direction traffic.
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F**king Jews...the Jews are responsible for all the wars in the world.
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I get pretty dark sometimes, pretty bleak. But that passes.
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Nobody makes art for an elite, not if they're a real artist. You try and reach as many people as possible with whatever it is that you make. If a chef is making an omelette, he wants everyone to think that it tastes great because he did it. And if it does, then that's a success because everyone eats it.
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Well, if you look at the whole story, I mean there's only Jews and Romans in the story. I mean I just wanted to flesh that character out and make that a drama about the people around Christ when he was going through this passion.
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I got the acting bug back because I felt like all of a sudden maybe after all these years, maybe I might have something to offer again. I walked away from it after 'Signs' because I just felt I was a bit stale and it wasn't ringing my bells, so I focused on directing, writing and producing.
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Above all, film is a business... Independence is a really cool thing as you can be a bit more bold, and take a few more chances with what you do.
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I'm Hitler and my dad is Mussolini!
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