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But I have bad taste with a deep fount of intellectuality.

Mel Brooks

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Mel Brooks
Age: 98
Born: 1926
Born: June 28
Actor
Composer
Film Actor
Film Director
Film Producer
Journalist
Librettist
Lyricist
Screenwriter
Soldier
Songwriter
Stage Actor
Brooklyn
New York
Melvin Brooks
Melvin Kaminsky
Fount
Taste
Deep
Intellectuality

More quotes by Mel Brooks

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All short women have a delayed fuse. Marry a taller woman: My wife was an inch or two taller than me it's a sign of security.
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There's an army story in me, and I think there's a WWII Brooks film somewhere.
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No creative writer knows what is commercial and what isn't. You just write from your heart, you write from the deepest, creative urges in you, and you write from your soul, and you just either get lucky or not.
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In every spoof I make real love to the things I am spoofing.
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That's it baby, if you've got it, flaunt it.
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Being short never bothered me for three seconds. The rest of the time I wanted to commit suicide.
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When I'm writing a script, I don't worry about plot as much as I do about people. I get to know the main characters - what they need, what they want, what they should do. That's what gets the story going. You can't just have action, you've got to find out what the characters want. And then they must grow, they must go somewhere.
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My mother is very short - four-eleven. She could walk under tables and never hit her head.
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Not only should we laugh about Hitler. We must laugh about him. Especially in Berlin.
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When I was a little boy, I thought when I grew up I would talk Yiddish. I thought little kids talked English, but when they became adults, they would talk Yiddish like the adults did. There would be no reason to talk English anymore, because we would have made it.
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I was out in the combat engineers. We would throw up bridges in advance of the infantry but mainly we would just throw up.
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Anybody can direct, but there are only eleven good writers.
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Humor is just another defense against the universe.
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When you get big special effects pictures, sci-fi and things, there's little or no comedy. Or it's a domestic comedy and there's not one special effect. But very rarely do these things fuse and come out right.
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Critics can't even make music by rubbing their back legs together.
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Comedy is lively, comedy is joy, and that's what keeps us [people] going, we've got to look forward to little, little happiness's. Little, little joys, and comedy is very, very important, it's a vital. We underestimate its value, but we should see more comedies. Comedy is life giving, it's invigorating. I really believe it.
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Woody Allen is a genius. His films are wonderful. He's poetic, but he's also a critic. He artfully steps back from a social setting and criticizes it without - I suspect - without letting himself be vulnerable to it.
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I have been lucky that some critics joined the mob in loving something I've done, or in appreciating it. I've been lucky. But most of the critics don't like what the people like. I think they have a very strange job, and they are meant to criticize.
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Look, I don't want to wax philosophic, but I will say that if you're alive you've got to flap your arms and legs, you've got to jump around a lot, for life is the very opposite of death, and therefore you must at very least think noisy and colorfully, or you're not alive.
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Directing is a terrible, anxious process. It's all collaboration, and if you have a dream, it's diluted very quickly by the slightest ineptness in any of your collaborators. They're supposed to help you, but too often they help you into your grave.
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