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I do not often follow my characters off on tangents or change my story on a whim. I have an outline which I follow quite sternly...for a good long while. Then it turns out in some way to be insurmountably wrong and I am forced to re-think every component. Usually at this point I throw hundreds of pages away.

Megan Chance

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Megan Chance
Every
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Forced
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Throw
Sternly
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Point
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Outline
Good
Often
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Hundreds

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Calling it lunacy makes it easier to explain away the things we don't understand.
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It felt like an oversight to me, something that needed to be corrected. They [women who hid Jewish children] deserved to be understood and remembered.
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You learned to run from what you feel, and that's why you have nightmares. To deny is to invite madness. To accept is to control.
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I have to admit that WWII France was not at all on my radar for Kristin Hannah.
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I love the idea of ordinary women making extraordinary sacrifices.
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I see the emphasis on a lot of ideas and I know that's directed at me. [Megan Chance] come up with an idea, hone it, and write it. I come up with thirty ideas, flesh each one out, research each one, come up with characters, and then decide I don't like it.
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The only truth was whatever you could make someone believe.
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All life's a risk, that's what makes it interesting.
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I am one of those authors who believes (perhaps foolishly) that she is in complete control of the story.
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In the end, there's only one thing you can believe. Bodies are honest they don't lie.
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Andrée De Jongh story led me to other stories of women who joined the Resistance in France. I found literally dozens of memoirs written by women who had become spies and couriers and helped to create the escape network. These women were like action-star heroes.
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Impatient men are generous ones. Or haven't you learned that by now?
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The women of the French Resistance astounded me. Isabelle and Vianne [from The Nightingale] are my homage to those brave and forgotten women.
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The material world is simply an expression of the mind that's what so many fail to see. We're so dependent on what is before us that we discount our intuition. Yet if one dismisses instinct, how can one understand or believe in a world that exists beyond one's sight?
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I am more than happy to invite my five favorite fictional characters. Let's see. First on my list is Sam Gamgee from The Lord of The Rings. Sam is a beautiful character in him, we find the profound heroism of an ordinary person. He epitomizes the saying that courage isn't not being afraid, courage is going anyway. I just love that.
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In the end, the best part of the whole book [The Nightingale ] to me was the research, reading about the courageous, ordinary French women who put their lives on the line to save others. It was really inspirational.
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Trying to justify a world we don't hold all the answers to is what bedevils the best of us. Sometimes it's better just to accept that things are as we see them.
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To be honest, I wrote so many drafts of this book [ The Nightingale ] and changed the characters so many times the real surprise is that I finished the book at all.
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I absolute adore epic journeys that require a protagonist to fight for every victory in the hopes of finding triumph.
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[ The Nightingale ]ended up being a huge undertaking - a daunting amount of research on a subject that many people know intimately, a country I had not yet been to when I first started planning the book, an entire war.
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