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In the end, the best part of the whole book [The Nightingale ] to me was the research, reading about the courageous, ordinary French women who put their lives on the line to save others. It was really inspirational.

Megan Chance

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I am one of those authors who believes (perhaps foolishly) that she is in complete control of the story.
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I read a ton of fiction - historical, contemporary, literary, commercial, I love it all.
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I love what I call re-imagining, where I throw everything up in the air and let it fall in a different way. It's not the most efficient way to write a book, but it's how I find the story.
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Calling it lunacy makes it easier to explain away the things we don't understand.
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With The Nightingale, I had been kicking the idea around for years. I was frightened to write it because on the surface it seems so different for me.
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I think The Nightingale is my best, most mature, most moving novel, but maybe that's just because I love these characters. I love the setting.
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I see the emphasis on a lot of ideas and I know that's directed at me. [Megan Chance] come up with an idea, hone it, and write it. I come up with thirty ideas, flesh each one out, research each one, come up with characters, and then decide I don't like it.
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People forget that old women were young once, but d'you think we old women forget? In my heart, I'm still thirty.
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The material world is simply an expression of the mind that's what so many fail to see. We're so dependent on what is before us that we discount our intuition. Yet if one dismisses instinct, how can one understand or believe in a world that exists beyond one's sight?
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To be honest, I wrote so many drafts of this book [ The Nightingale ] and changed the characters so many times the real surprise is that I finished the book at all.
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[ The Nightingale ]ended up being a huge undertaking - a daunting amount of research on a subject that many people know intimately, a country I had not yet been to when I first started planning the book, an entire war.
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All life's a risk, that's what makes it interesting.
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Andrée De Jongh story led me to other stories of women who joined the Resistance in France. I found literally dozens of memoirs written by women who had become spies and couriers and helped to create the escape network. These women were like action-star heroes.
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I love the idea of ordinary women making extraordinary sacrifices.
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Trying to justify a world we don't hold all the answers to is what bedevils the best of us. Sometimes it's better just to accept that things are as we see them.
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Sight is one of the most easily deceived senses. I could make a coin disappear and your eyes would believe it gone, even if it were merely up my sleeve.
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I do not often follow my characters off on tangents or change my story on a whim. I have an outline which I follow quite sternly...for a good long while. Then it turns out in some way to be insurmountably wrong and I am forced to re-think every component. Usually at this point I throw hundreds of pages away.
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In the end, there's only one thing you can believe. Bodies are honest they don't lie.
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The women of the French Resistance astounded me. Isabelle and Vianne [from The Nightingale] are my homage to those brave and forgotten women.
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Logic only tells us what's there it can't really address what isn't. Even the most devoted empiricist must admit that we have no hope of understanding the universe. Some things are unknowable.
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