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[ The Nightingale ]ended up being a huge undertaking - a daunting amount of research on a subject that many people know intimately, a country I had not yet been to when I first started planning the book, an entire war.

Megan Chance

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The only truth was whatever you could make someone believe.
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I love what I call re-imagining, where I throw everything up in the air and let it fall in a different way. It's not the most efficient way to write a book, but it's how I find the story.
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You learned to run from what you feel, and that's why you have nightmares. To deny is to invite madness. To accept is to control.
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The women of the French Resistance astounded me. Isabelle and Vianne [from The Nightingale] are my homage to those brave and forgotten women.
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In the end, there's only one thing you can believe. Bodies are honest they don't lie.
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Impatient men are generous ones. Or haven't you learned that by now?
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To be honest, I wrote so many drafts of this book [ The Nightingale ] and changed the characters so many times the real surprise is that I finished the book at all.
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People forget that old women were young once, but d'you think we old women forget? In my heart, I'm still thirty.
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I had read a lot of books on World War II, but I didn't know that downed airmen had hiked over the frozen peaks of the Pyrenees Mountains in shoes that didn't fit, in clothes that weren't warm enough, with German and Spanish patrols searching for them.
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Sight is one of the most easily deceived senses. I could make a coin disappear and your eyes would believe it gone, even if it were merely up my sleeve.
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I love the idea of ordinary women making extraordinary sacrifices.
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I am one of those authors who believes (perhaps foolishly) that she is in complete control of the story.
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I see the emphasis on a lot of ideas and I know that's directed at me. [Megan Chance] come up with an idea, hone it, and write it. I come up with thirty ideas, flesh each one out, research each one, come up with characters, and then decide I don't like it.
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I have to admit that WWII France was not at all on my radar for Kristin Hannah.
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I think The Nightingale is my best, most mature, most moving novel, but maybe that's just because I love these characters. I love the setting.
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I am more than happy to invite my five favorite fictional characters. Let's see. First on my list is Sam Gamgee from The Lord of The Rings. Sam is a beautiful character in him, we find the profound heroism of an ordinary person. He epitomizes the saying that courage isn't not being afraid, courage is going anyway. I just love that.
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It felt like an oversight to me, something that needed to be corrected. They [women who hid Jewish children] deserved to be understood and remembered.
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Logic only tells us what's there it can't really address what isn't. Even the most devoted empiricist must admit that we have no hope of understanding the universe. Some things are unknowable.
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With The Nightingale, I had been kicking the idea around for years. I was frightened to write it because on the surface it seems so different for me.
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In the end, the best part of the whole book [The Nightingale ] to me was the research, reading about the courageous, ordinary French women who put their lives on the line to save others. It was really inspirational.
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