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Somewhere along the line I'd lost the will not to eat.

Meg Rosoff

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Meg Rosoff
Age: 68
Born: 1956
Born: October 16
Author
Novelist
Writer
Boston
Massachusetts
Somewhere
Line
Along
Lines
Lost

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Self-knowledge is essential not only to writing, but to doing almost anything really well. It allows you to work through from a deep place - from the deep, dark corners of your subconscious mind.
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Ask any comedian, tennis player, chef. Timing is everything.
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I didn't seem to have that effect on anyone but it would have been a waste for both of us to be saints.
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It was not a big smile, not particularly bold or polite or ironic or glib, not asking for anything or offering anything, not stringy or careless, not, in short, like any smile I had ever experienced before. But such a smile! You could burn a hole in the world with that smile.
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Every war has turning points and every person too.
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My daughter is a fantastic travelling companion - she's totally organised, whereas I'm hopeless.
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Life is absolutely horrific, leading up to absolute horror.
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At the time, I didn't have the insight to wonder at the transient nature of despair, but now that I'm older I've seen how little it takes to turn a person's life around for better or worse. An event will do, or an Idea. Another person. An idea of a person.
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I guess the difference between Gin and me is that when Gin got shut in the barn she thought Edmond didn't love her anymore but because I could feel Edmond out there somewhere always loving me I didn't have to howl all night.
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This was what happiness felt like - this wondrous, miraculous alternative to dread.
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Your writing voice is the deepest possible reflection of who you are. The job of your voice is not to seduce or flatter or make well-shaped sentences. In your voice, your readers should be able to hear the contents of your mind, your heart, your soul.
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The imagination can be dangerous. It can change the world. And that is why we write.
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It might go down better than appearing as a giant reptile encased in a ball of fire and forcing yourself on her.' 'WHY DO YOU ALWAYS HAVE TO BRING THAT UP?
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It's a strange sensation to live inside another person's life, to wonder all the time what he is doing, or thinking or feeling.
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And after awhile of this my brain and my body and every single inch of me that was alive was flooded with the feeling that I was starving, starving for Edmond. And what a coincidence, that was the feeling I loved best in the world.
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The real truth is that the war didn't have much to do with it except that it provided a perfect limbo in which two people who were too young and too related could start kissing without anything or anyone making us stop.
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And still the brain continues to yearn, continues to burn, foolishly, with desire. My old man's brain is mocked by a body that still longs to stretch in the sun and form a beautiful shape in someone else's gaze, to lie under a blue sky and dream of helpless, selfless love, to behold itself, illuminated, in the golden light of another's eyes.
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I've noticed that the magic getting along with someone isn't really magic. If you break it down, you can see how it happens. You say something a bit off-center and see if they react. If they get it, they push it a bit further. Then it's your turn again. And theirs. And so on, until it's banter. Once it's banter, it's friendship.
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I can't even trust my own imaginary dog. How much lower can a person get?
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If you haven't been in a war and are wondering how long it takes to get used to losing everything you think you need or love, I can tell you the answer is no time at all.
Meg Rosoff