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I always say I'm no different than a 19th-century landscape painter, it's just that we have these incredible tools to look at the Earth and look at the world around us differently.
Maya Lin
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Maya Lin
Age: 65
Born: 1959
Born: October 5
Architect
Designer
Land Artist
Landscape Architect
Printmaker
Sculptor
Athens
Ohio
Maya Ying Lin
Around
Earth
Look
Differently
Different
Incredible
Always
Landscape
World
Painter
Tools
Century
More quotes by Maya Lin
I'm as much interested in the form-making as well as getting you to think about what we're doing to the world around us.
Maya Lin
A lot of my works deal with a passage, which is about time. I don't see anything that I do as a static object in space. It has to exist as a journey in time.
Maya Lin
I left science, then I went into art, but I approach things very analytically. I choose to pursue both art and architecture as completely separate fields rather than merging them.
Maya Lin
It terrified me to have an idea that was solely mine to be no longer a part of my mind, but totally public.
Maya Lin
I though about what death is, what a loss is. A sharp pain that lessens with time, but can never quite heal over. A scar. The idea occurred to me there on the site. Take a knife and cut open the earth, and with time the grass would heal it. As if you cut open the rock and polished it.
Maya Lin
Even though I build buildings and I pursue my architecture, I pursue it as an artist. I deliberately keep a tiny studio. I don't want to be an architectural firm. I want to remain an artist.
Maya Lin
An artist fights to retain the integrity of a work so that it remains a strong, clear vision. Art is and should be the act of an individual willing to say something new, something not quite familiar.
Maya Lin
Every memorial in its time has a different goal.
Maya Lin
To fly, we must have resistance.
Maya Lin
To fly, we have to have resistance. It's all about turbulence. Reacting to images of wave patterns in fluid motion.
Maya Lin
Sometimes I think creativity is magic it's not a matter of finding an idea, but allowing the idea to find you.
Maya Lin
I started studying what the nature of a monument is and what a monument should be. And for the World War III memorial I designed a futile, almost terrifying passage that ends nowhere.
Maya Lin
When I was very little, we would get letters from China, in Chinese, and they' be censored. We were a very insular little family.
Maya Lin
My dad was dean of fine arts at the university. I was casting bronzes in the school foundry. I was using the university as a playground.
Maya Lin
If we forget what used to be, then we’ve lost an ability to really be sensitive to our surroundings.
Maya Lin
When I was building the Vietnam Memorial, I never once asked the veterans what it was like in the war, because from my point of view, you don't pry into other people's business.
Maya Lin
I also wanted remembering the past relevant to the present. Some people wanted me to put the names in alphabetical order. I wanted them in chronological order so that a veteran could find his time within the panel. It's like a thread of life.
Maya Lin
You have to let the viewers come away with their own conclusions. If you dictate what they should think, you've lost it.
Maya Lin
I saw the Vietnam Veterans Memorial not as an object placed into the earth but as a cut in the earth that has then been polished, like a geode. Interest in the land and concern about how we are polluting the air and water of the planet are what make me want to travel back in geologic time-to witness the shaping of the earth before man.
Maya Lin
To fly we have to have resistance.
Maya Lin