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The definition of a modern approach to war is the acknowledgement of individual lives lost.

Maya Lin

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Maya Lin
Age: 65
Born: 1959
Born: October 5
Architect
Designer
Land Artist
Landscape Architect
Printmaker
Sculptor
Athens
Ohio
Maya Ying Lin
Lives
Individual
War
Lost
Acknowledgement
Artist
Definition
Definitions
Approach
Modern

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Sometimes I think creativity is magic it's not a matter of finding an idea, but allowing the idea to find you.
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You have to let the viewers come away with their own conclusions. If you dictate what they should think, you've lost it.
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I really enjoyed hanging out with some of the teachers. This one chemistry teacher, she liked hanging out. I liked making explosives. We would stay after school and blow things up.
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You should be having more fun in high school, exploring things because you want to explore them and learning because you love learning-not worrying about competition.
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I deliberately did not read anything about the Vietnam War because I felt the politics of the war eclipsed what happened to the veterans. The politics were irrelevant to what this memorial was.
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You really can't function as a celebrity. Entertainers are celebrities. I'm an architect. I'm an artist. I make things.
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The role of art in society differs for every artist.
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Every memorial in its time has a different goal.
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Some of your teachers are actually closer in age to you than you think.
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When I was building the Vietnam Memorial, I never once asked the veterans what it was like in the war, because from my point of view, you don't pry into other people's business.
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I saw the Vietnam Veterans Memorial not as an object placed into the earth but as a cut in the earth that has then been polished, like a geode. Interest in the land and concern about how we are polluting the air and water of the planet are what make me want to travel back in geologic time-to witness the shaping of the earth before man.
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To fly we have to have resistance.
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I probably spent the first 20 years of my life wanting to be as American as possible. Through my 20s, and into my 30s, I began to become aware of how so much of my art and architecture has a decidedly Eastern character.
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Even though I build buildings and I pursue my architecture, I pursue it as an artist. I deliberately keep a tiny studio. I don't want to be an architectural firm. I want to remain an artist.
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To fly, we must have resistance.
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A lot of my works deal with a passage, which is about time. I don't see anything that I do as a static object in space. It has to exist as a journey in time.
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I started studying what the nature of a monument is and what a monument should be. And for the World War III memorial I designed a futile, almost terrifying passage that ends nowhere.
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If you don't remember history accurately, how can you learn?
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I'm as much interested in the form-making as well as getting you to think about what we're doing to the world around us.
Maya Lin
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I was always making things. Even though art was what I did every day, it didn't even occur to me that I would be an artist.
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