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The body is to be compared, not to a physical object, but rather to a work of art.
Maurice Merleau-Ponty
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Maurice Merleau-Ponty
Age: 53 †
Born: 1908
Born: March 14
Died: 1961
Died: May 3
Aesthetician
Art Theorist
Philosopher
Professor
Rochefort-sur-Mer
Maurice Jean Jacques Merleau-Ponty
Objects
Philosophy
Soma
Rather
Compared
Art
Psychology
Body
Senses
Work
Object
Mind
Medicine
Physical
More quotes by Maurice Merleau-Ponty
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The flesh is at the heart of the world.
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It is the essence of certainty to be established only with reservations.
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It is the mission of the twentieth century to elucidate the irrational.
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Our body is not in space like things it inhabits or haunts space. It applies itself to space like a hand to an instrument. And when we wish to move about, we do not move the body as we move an object.
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The child lives in a world which he unhesitatingly believes accessible to all around him.
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Thought without language, says Lavelle, would not be a purer thought it would be no more than the intention to think. And his last book offers a theory of expressiveness which makes of expression not a faithful image of an already realized interior being, but the very means by which it is realized.
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Our view of man will remain superficial so long as we fail to go back to that origin [of silence], so long as we fail to find, beneath the chatter of words, the primordial silence, and as long as we do not describe the action which breaks this silence. the spoken word is a gesture, and its meaning, a world.
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Everyone is alone and yet nobody can do without other people, not just because they are useful... but also when it comes to happiness.
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[The sensate body possesses] an art of interrogating the sensible according to its own wishes, an inspired exegesis.
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We know not through our intellect but through our experience.
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The world is nothing but 'world-as-meaning.
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The photograph keeps open the instants which the onrush of time closes up forthwith it destroys the overtaking, the overlapping, the metamorphosis of time.
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Speech is not a means in the service of an external end. It contains its own rule of usage, ethics, and view of the world, as a gesture sometimes bears the whole truth about a man.
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Machiavelli is the complete contrary of a machiavellian, since he describes the tricks of power and gives the whole show away. The seducer and the politician, who live in the dialectic and have a feeling and instinct for it, try their best to keep it hidden.
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To understand is to experience harmony between what we aim at and what is given, between the intention and the performance - and the body is our anchorage in the world.
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The body is our general medium for having a world.
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My hold on the past and the future is precarious and my possession of my own time is always postponed until a stage when I may fully understand it, yet this stage can never be reached, since it would be one more moment bounded by the horizon of its future, and requiring in its turn, further developments in order to be understood.
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Montaigne [puts] not self-satisfied understanding but a consciousness astonished at itself at the core of human existence.
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I am not in front of my body, I am in it or rather I am it... If we can still speak of interpretation in relation to the perception of one's own body, we shall have to say that it interprets itself.
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